Tag: art

art · hollywood glamour

A Glamorous Touch For Your Snail Mail . . .

Mstldelano1 Comment

Recently, the United States Postal Service announced that Hollywood icon and civil rights activist Lena Horne will be honored on a commemorative stamp.

The stamp, depicting Lena with her signature wide and warm smile, is a fitting tribute for a woman that lived a full and fascinating life. I am especially fond of the fact that the stamp depicts a mature Lena (the photo used for the stamp was taken in the 1980s, when Lena was in mid to late 60s).

See the lovely stamp for yourself:

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I’ll be ordering my stamps before they sell out! I advise anyone that’s interested to grab a few sheets and keep at least one of them for your collection. These can be purchased at your local post office or through the USPS website.

 

life curation

Do You Know Your Black Art History?

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In honor of Black History Month, I want to share some of my favorite Black women artists. These gifted creators established themselves during a time when most Black women were relegated to the roles of maid, cook, or caretaker. I love that these women dared to share their gifts and provide a diverse representation of Black womanhood.

Because I’m a geek for 3-dimensional art, I’m focusing on Black women that created sculptures. At one point, I was interested in sculpting as a profession: I even competed in art contests (and won a prize to boot!) So today, I’ll provide a list of notable Black sculptresses and then I’ll include some photos of their most famous works. There are literally too many of them to write mini-bios for each, but please take the time to check out a few of them. Their stories and their works are fascinating.

Tina Allen

Camille Billops

Erlena Chisolm Bland

Selma Burke

Fern Cunningham

Meta Vaux Warrick Fuller

Ruth Inge Hardison

May Howard Jackson

Harriet Forte Kennedy

Edmonia Lewis

Winnie Owens-Hart

Alice Patrick

Nancy Elizabeth Prophet

Augusta Savage

Beulah Woodard

Here are some of my favorite works by a couple of the artists above (I’m skipping Edmonia Lewis because I featured her in my Current Favorite App post, that I’m sure you all read and enjoyed):

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George Washington Carver, by Tina Allen (In the Missouri Botanical Garden)

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Bust of an Ethiopian Woman by Tina Allen

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Sojourner Truth by Ruth Inge Harrison

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Maudelle by Beulah Woodard (1937-1938)

The Talking Skull, 1939, Bronze

The Talking Skull by Meta Vaux Warrick Fuller (1939)

 

If I left out any Black women sculptors that you think should be added to the list, let me know in the comments below! I’d love for this to be a comprehensive list with lots of good links to information on how Black women have contributed to the world of sculpture.

 

 

art · Uncategorized

Buy Art and Support Public Schools

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I recently received an email from Reynolds Gallery in Richmond, VA, explaining a special campaign for the month of February. The gallery is donating 10% of sales proceeds generated in February to support Richmond Public Schools. The gallery announced, “We want to do our part to improve the lives and education of our city’s children.”

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Reynolds Gallery was founded in 1977 and emphasizes a connection with local artists. That, along with the promise of donating 10% of February’s sales to public education, is a convincing reason to check out their offerings and see if there is any work that you’d love to own.

The contemporary pieces featured in the gallery are great for every collector, from the novice to the expert. I like Robert Stuart’s “From White to Red” (2017) and Andras Bality’s “Monhegan Sunflowers” (2017).

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I also found Doug Gray’s “Guthrie Theater Lobby Oct 1977 Minneapolis” (2017) enchanting. It gives Piet Mondrian vibes, no?

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Check out the online shop and see if there’s anything you’d like to get for your own collection! Remember, a portion of the proceeds will go to supporting a better educational environment for Richmond Public School students.

art · luxury

Art Collector Conundrum: Insecurity

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In this series about issues surrounding inexperienced art enthusiasts, I want to explore another problematic aspect of art collecting. Namely, many new collectors and aspiring art professionals have a great deal of insecurity when entering into the world of art.

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The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist by Peter Paul Rubens

Like many other prestigious and exclusive arenas, new entrants find themselves overwhelmed and, ultimately, insecure about their knowledge, their ability to find their niche, and their own personal tastes and judgment. How many of us can relate to being the neophyte with a differing opinion that is promptly “put in place” by the resident expert? The more elite the group, the more devastating these interactions can be to the novice.

The point of this discussion isn’t to blast the experts that offer a different perspective to newcomers. Every subject needs experts that are willing to share their knowledge and guide their predecessors. This guidance can help new entrants avoid making costly mistakes on their journeys.

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A Forest at Dawn with a Deer Hunt

This also isn’t a criticism of the new entrants that will ultimately need to grow their confidence in their own tastes and knowledge in the art arena. There’s something to be said for discerning when to take the advice of someone else and when to stick with your stance, however unpopular. There are many experts that had to go against the grain at different points in order to establish themselves.

Ultimately, this is a consideration of what can be done to reduce insecurity when entering the art world. Knowledge, on its own, isn’t enough. The art world is the intersection of business and aesthetic tastes. The business portion can be taught and modeled for new entrants. To some degree, even the aesthetic part of art collecting can be “taught”, via exposure to many works in different media, from different periods of time and movements, and from various countries and global regions.

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Venus and Adonis

So what does reduce insecurity? In a word, experience. The novices have to embrace the experiences that they must have, and they have to be ready to have MANY experiences outside of their comfort zones. Experience will teach a novice who to listen to and who to disregard; it will also help a novice learn when to listen to “gut nudges” and when those “nudges” are more fear-based (and generally inaccurate) than intuitive knowledge (which is usually spot-on).

To all of the newcomers to the art world: gain all of the experience that you can, remember that you BELONG wherever you’re going, and take comfort in the fact that you don’t have to know everything to be skilled, competent and worthy of your space in the art world.

(all art from the Metropolitan Museum of Art, photos from Archive.org and )

art · culture

My Current Favorite App

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As a fan of all things art and culture related, I find it challenging to locate tools and apps that satisfy both of my interests simultaneously. That is, until the Google Art and Culture App came into my life.

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I love being able to instantly access all sorts of interesting art and culture articles. Even better, I love being able to virtual tour museums that I have not yet visited in person. The app allows you to view famous artworks up close, without having to peer through crowds to see it (anything in the Louvre comes to mind).

It’s possible to find art by searching by the title of the work or by an artist’s name. For an example of what you can find on the app, I searched for Edmonia Lewis (I’ve known about her for a long time, but a recent podcast by Art History Babes renewed my interest in her story). Here is some screenshots of what Google Art and Culture had about Edmonia Lewis:

Even cooler, the app has a feature that allows users to take a selfie and find their art “doppelganger”. It’s a fun feature that’s sure to expose users to artwork they’ve never seen before!

Have you downloaded the Google Art and Culture app? How have you been enjoying it? Let me know in the comments below!

 

 

art · life curation

Meet the Artist: Carrie Mae Weems

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On Tuesday, February 6th, the National Gallery of Art (NGA) is hosting acclaimed artist Carrie Mae Weems. This event is a lecture that will discuss Weems’s Kitchen Table Series, a set of photographs capturing (as NGA describes it), “[…] the story of a woman’s life as seen through the intimate space of the kitchen—the traditional sphere of women and a site of sanctuary, creation, shared experiences, and emotional honesty”.

Carrie Mae Weems

(Photo of Weems, courtesy of the MacArthur Foundation)

Weems has won numerous awards during her career, including the prestigious MacArthur Fellowship. It’s going to be a treat to listen to her discuss her work during her lecture at NGA. You won’t want to miss this event!

art

The Perfect Gift for a Butterfly . . .

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While browsing the lots for Christie’s upcoming Rockefeller auction, I came across a partial set of dishes owned by Napoleon I, the legendary emperor of France. The set was beautiful on its own, but I stopped cold when I saw the detail on these dessert plates:

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This is the ‘Marly Rouge’ Service, a porcelain dessert set made sometime around 1807 – 1809. This set is in outstanding condition, with the colors and gilding just as vibrant as when it was first presented to Emperor Napoleon. The write-up for this offering can be seen under the “Highlights” section of the Christie’s page featuring the Peggy and David Rockefeller Collection.

Aside from the flawless condition, I marveled at the detailing. Are you all seeing the gorgeous butterfly variety on these dishes? Of course the Bronze Butterfly noticed it and swooned. I need these dishes, now!

The sale occurs in May 2018. I doubt that I’ll have a spare $150,000+ to invest in this set (I remain hopeful!) but I plan to look for a set of similar design and high quality. If I find them (and, since I’m good at locating things, I’m sure that I will), I’ll post to this blog and give you all details. Until then, you’re free to drool over the Marly Rouge with me.

 

 

 

art · luxury

Art Collector Conundrum: Affordability

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As part of this (informal) series, I want to explore some of the difficulties I see within the art world. These things aren’t obstacles, per se, but they can be challenging for people that are on the outside “looking in”. As I learn more and find myself exploring the business, historical, and aesthetic side of art, I can see the individual factors that make art collecting and the entire business of art frustrating and intimidating to the average person.

One of the biggest obstacles to pursuing either a career in or a collection of art is affordability. Prestigious disciplines and hobbies have always been cost prohibitive, and rightly so: this maintains the integrity, prestige and lucrative nature. But in these increasingly egalitarian times, the question remains: how can affordability be part of the art world while maintaining esteem?

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Le Jockey by Henri de Toulouse-Lautrec (uploaded by the Brooklyn Museum)

The best recommendation I can pose is this: start where you are. That applies no matter where you want to fit into within the art world. Instead of aiming to have a personal art collection on the level of the Louvre, new collectors that have less capital to invest should start where they are and purchase what they enjoy and can afford. People aspiring to be curators and consultants should start by educating themselves as affordably as possible: attend free or low-cost art courses (some of which can be done online), volunteer at a museum or gallery, or even purchase used art textbooks and read the material.

The key to avoiding overwhelm is to take it one step at a time.

There are some entities that are striving to make art more affordable. Educators like ALISON, Coursera and Saylor (especially the Saylor Legacy Courses) make art education affordable. Taking classes at local museums, galleries, art organizations, and community colleges is also another another way to obtain art knowledge at a low cost.

Entering the art collecting world need not be expensive. New collectors should seek out local artists that are talented but not yet famous. Being an “early adopter” often means securing wonderful artwork at an affordable price. Also, it’s important to support smaller artists that may one day become one of the big names in the art world.

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Tahitian Woman by Paul Gauguin (uploaded by the Brooklyn Museum)

There are also companies that will finance the purchase of high dollar art. One of these is ArtMoney, a company that offers financing options for people that want to buy art. ArtMoney is currently affiliated with 500 galleries nationwide to help art appreciators acquire works of art that would normally be out of their budgets. Also, there are innovative artists that offer lease and lease-to-own option for interested parties. This allows collectors to enjoy the art of their choice on the terms that best suit them.

So there are always ways to navigate around issues of affordability. Many times, this means setting aside preconceived limitations and approaching a solution with a fresh perspective. By exploring unorthodox and less popular strategies, it’s possible to make any part of the art world affordable.

art · life curation

The Next Art Class(es) On My List . . .

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Happy Friday, beloveds! The weekend is here and, I must admit, I’ve been feeling pretty fired up for the past few weeks. I was determined to have a strong start to my year, and so far, I’ve kept my word. I’ve been focusing on everything that I want and need to get done so that I can accomplish the goals I’ve set for the year.

If you all recall, in my New Years goals post, I mentioned that I wanted to eventually transition into a career in the art world (hence this blog’s gentle but steady turning toward more art-related content). I intend to take some in-person courses through Christie’s but I am also supplementing those courses with some online education.

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Women’s Art Class by Louis Lang (1814 – 1893), at The Metropolitan Museum of Art

I’m an autodidact, so I’m very comfortable with teaching myself. You all will probably recall the art course on Alison that I’m currently taking (I’m doing this one very leisurely, though I’m already about 50% done with the material). However, I occasionally enjoy having a structure to lean on while I’m learning. That’s why I was excited to see that Coursera is offering several arts courses this year, that can either be completed without a certificate (the no-cost option) or with a certificate of completion offered (has a small fee). Since I’m doing these courses for personal development and I don’t intend to provide certification to anyone in the future, I’m doing the no-cost option.

The two classes I’m taking are Modern Art & Ideas and Fashion as Design. Both classes are taught by Museum of Modern Art curators, researchers and directors. If you find that you benefit from interaction with other students and a more structured format, then Coursera’s offerings may be a good fit for you.

I’m looking forward to learning more about modern art and fashion. I can’t wait to share what I learned with you all!

life curation · reading list

Reading List: February’s Book

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Are you all enjoying The Four Hour Work Week? I know that I am! In fact, I’m really glad for the snow days I had a couple of weeks ago, because it helped me to manage all of the reading I had to do this month.

February’s reading selection should be a great read, though I already know that it’ll be nearly impossible to complete all of the exercises during the month. Ok, I’ll admit it: I’m cheating a bit. You see, I’m already reading this book, along with January’s selection, and another book that was recommended by a mentor. So I’m reading THREE books this month (not an outrageous number for me, but I’m avidly taking notes and plan on discussing each of them, so this is far more tedious than my normal leisurely reading).

The book for February is “How to Think Like Leonardo da Vinci” by Michael Gelb. This book is supposed to help us uplevel to the status of genius, through seven simple steps that we can incorporate daily. I’m currently reading for comprehension, but during the month of February, I’ll be reading for implementation and integration into my life.

 

Have any of you already read “How to Think”? Let me know in the comments, and (without spoilers, please!) let us know what you thought of the book!