art · culture · international · life curation · luxury · travel

My Time in Portugal, Part 5 – Spotlight on Sarah Ferreira

This is my last Portugal post (I’m sorry to see this series end, but I’ll be sharing multiple posts about Spain next!) First, I wrote about my overall impression of Portugal. Then, I shared the fun I had at Rock in Rio Lisboa. Next, I talked about the beauty that is Sintra National Palace. And last week, I shared my experience at Hotel do Chiado and their rooftop bar restaurant, Entretanto.

At Hotel do Chiado, I visited the rooftop bar, and I was blown away by the beautiful artwork lining the corridors leading to the restaurant. It took me back to my fabulous time at Ibis Styles hotel in Nairobi, and the fabulous pieces created by Kenyan artist Tom Mboya. As I looked around, I found an artist bio posted in Portuguese (cue my rudimentary translation skills). The corridor was lined with art by Paris-born, Portugal-based artist Sarah Ferreira.

Upon further research, I determined that Ferreira doesn’t have a website (there is another Sarah Ferreira that creates art, but she is US-born and based). It appears that she has intentionally maintained a low-profile online. I love that she isn’t hyper-visible, yet her work is still being found by people all over the world (like me).

Here are some of the paintings/drawings done by Ferreira, which are on display in the hall leading to Entretanto. Enjoy!

Some of the depictions were fascinating re-imaginings of famous works (like the Mona Lisa), while others were renderings of famous faces (such as Johnny Depp as Willy Wonka and Audrey Hepburn). I love how Ferreira don’t try to create depth with subtle shading, but indicates a break in depth and saturation through the use of solid but fluid black lines. This striking visual effect makes her work have a bit of a mosaic effect, but you never forget that you’re looking at blocks of color that have been shaped to simulate human faces. Brilliant!

That’s all for my post about Sarah Ferreira. I certainly hope that she exhibits somewhere near me in the future. Or, maybe a future exhibit in Portugal will be just the motivation I need to book my next trip!

art · culture · life curation · luxury

Artful Moments

It’s Women’s History Month, and I wanted to share some art created by a female artist of yesteryear: one that is especially meaningful when considered through the lens of current issues.

Artemisia Gentileschi is (I believe) the only female Renaissance artist with surviving pieces credited to her. She painted in a style similar to Caravaggio (my favorite Renaissance artist) and was brilliant and skilled in her own right: she was particularly gifted when it came to portraying the female body and in her use of light and colors. Unfortunately, most of what we were originally told about her was related to the fact that she was raped by fellow artist Agostino Tassi (who was convicted of rape after the case went to trial). It’s a shame that this gifted artist was, for many years, known as a victim that transferred her own trauma into art.

Gentileschi is so much more than what she experienced, and I’m glad that art historians are finally giving her story the balanced interpretation that it deserves. As someone that just learned about her in the past few years, I never thought I’d get to see her work in person (there really aren’t that many Renaissance art pieces by high profile artists outside of the major museums in large cities) without traveling outside of my city.

However, there was a surprise for me, waiting right at my local museum, Virginia Museum of Fine Art. As I browsed the Renaissance section, I stopped at a lovely painting that I hadn’t noticed before. I looked at the identification card and, lo and behold, there was a Gentileschi painting!

I’m so glad that I got to experience the creative genius of Gentileschi right in my own backyard. I really liked her use of light in the painting: it looks like someone had just opened a window and let it stream across Venus’s body. I also love that Cupid remains only partially in the light, emphasizing him as minor (secondary) to his mother Venus, the goddess of love. In this portrait, Venus (the embodiment of all sorts of love, prosperity and fertility) is the star, and Cupid (a symbol of erotic and passionate love/lust) is in a supporting role. I interpret this as the passion of lust is unable to outshine the vastness of real love, and I suspect that even the source of light depicted wouldn’t shine quite so brightly if Cupid was the only subject of this painting.

Another thing: I really enjoyed the depiction of Cupid fanning his mother, showing him in service to her. It makes me think of how lust and passion are at their best when they are in service to higher forms of love. (Just a personal takeaway).

I just wanted to share that moment with you, because I still love art and find inspiration in it. I hope this post inspires you, too! Have a great day, and I’ll talk to you all tomorrow!

art · travel

Getting My Art Fix in Raleigh, NC

While I haven’t personally driven a long distance  since late 2018, I still travel via plane, train or as an automobile passenger. A few months ago, my family visited Raleigh, NC, so I tagged along. One of the days while we were there, we got a chance to tour the North Carolina Museum of Art (NCMA). I mentioned NCMA before (back when I toured the sculpture garden) but the last time I was there, I didn’t have enough time to tour the inside of the museum. I was delighted that I finally got a chance to see some of the artwork housed at NCMA!

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Exterior of the museum

I had a great time checking out the contemporary art, and I finally got to see Amy Sherlad’s award-winning painting, Miss Everything. You all may remember how much I love Amy Sherald’s work: I’m always excited when I can see one of her paintings in person.

I also got to see some pieces from artists I’d never known before. I love how I always learn something new when I go to a museum!

Gerhard Richter’s Station (577-2) (1985)

Sean Scully, Wall of Light Peru (2000)

Skunder (Alexander) Boghassian, Night Flight of Dread and Delight (1964)

One of my favorites referenced the three graces, some of my favorite mythological beings. These goddesses rule realms such as charm and elegance (some of my favorite topics!). Three Graces, Les Trois Femmes Noires, by Mickalene Thomas, was a show-stopping piece that was both grand in size and impression it left upon me. It was probably my favorite of this trip.

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Three Graces: Les Trois Femmes Noires (2011) Mickalene Thomas

Those are my highlights from my most recent trip to NCMA! I hope you enjoyed it, and I’m looking forward to returning and taking some more pics for you. Take care!

 

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art · life curation

My Art Highlights for 2018

After a fantastic year of enjoying art, I thought it would be good for me to post some of my highlights from the last 12 months.

There really are too many highlights to cram into one post but I’m going to do my best!

I started this year off with viewing the terracotta army statues from China. As you all know, I visited China a few years ago and fell in love, so seeing the statues was like getting a taste of authentic China. I loved it and had a great time viewing the exhibition.

Next, nothing could top seeing Kenyan art while in Kenya! I wrote a post about Tom Mboya as well as some other Kenyan artists that I enjoyed. Getting to see art overseas is always a treat, since there is no guarantee that I will see these artists’ works stateside.

Paintings by Tom Mboya

I viewed Portuguese contemporary art at the Virginia Museum of Fine Art and was reminded of my goal to visit Portugal within the next 2 years. Just so you all know, I’ll be resuming my Portuguese language lessons in the upcoming year. I mean it: I’m going to speak Portuguese so that I can enjoy my trip and get around a little better than the average tourist.

At the Smithsonian American Art Museum and Archives of American Art, I viewed the exquisite and timeless work of Edmonia Lewis. I’m still impressed by her masterful handling of marble and her amazing ability when it comes to depicting her subjects with dignity and full of emotion. I was so impressed with her work that I recently did a comparison of her work with a similarly themed piece, because I simply can’t get tired of discussing Lewis’s work!

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The Death of Cleopatra by Edmonia Lewis

I thoroughly enjoyed seeing Amy Sherald’s work at the National Portrait Gallery. Her portrait of Michelle Obama is a beautiful and unique interpretation of the former First Lady’s beauty, quiet resilience and charm. Seeing the painting in person impressed me far more than I expected, especially since Sherald’s signature technique forgoes capturing the rich tones of the subjects’ natural complexion and paints skin tone in greyscale, forcing art appreciators to focus on the expressions, posing, and attire depicted. I’m going to view some more of her work and maybe I’ll do an analysis of her style.

I also took a trip to Philadelphia and enjoyed the Philadelphia Museum of Art. There was so much art that I had to make a Part 1 and Part 2 to capture all of what I saw with my visit. I was delighted to see a Jean Leon Gerome painting that I’d never seen before.

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Night Flight by Howardena Pindell

I ended my year with the Howardena Pindell exhibition, that I loved so much that I had to visit it multiple times. Pindell is a living treasure, and I am thrilled that I got to see such a comprehensive retrospective of her work.

Those are my art highlights for 2018. I’m looking forward to bringing you all more art and more adventures in 2019!

 

 

 

art

Howardena Pindell – A Lifetime of Creation

A few weeks ago, I attended a lecture on contemporary abstract artist Howardena Pindell. Pindell’s video, Free, White and 21, was my introduction to her work. I saw the video as part of my online art course through Coursera. I found the video fascinating and have always been curious about the woman behind it.

Pindell’s work will be making a stop at Virginia Museum of Fine Art (VMFA) in August 2018. The work is part of her “What Remains to Be Seen” tour, an exhibit reflecting upon Pindell’s 50+ year career. Artists like Pindell, Betye Saar, Lorraine O’Grady and Senga Nengudi inspire me for their daring and provocative work and their insistence upon carving a space for Black, avant garde conceptual artists. Pindell’s work is thought provoking and highly detailed: it features a great deal of precision, texture and movement, all of which enhance the viewer experience. I’m looking forward to experiencing her art when it comes to VMFA!

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(photo courtesy of Nathan Keay, Museum of Contemporary Art, Chicago)

 

You can watch Pindell’s stirring reflections in Free, White and 21 here (or you can just click the play button below):

 

art

My Earliest Art Memories

Happy Humpday! It’s the middle of the week, and I figure we could all use some light and breezy conversation. So I’m sharing my story – as best I can remember it – of my earliest art memories.

So, once upon a time, information wasn’t abundant and instantly at our fingertips. Way back before the Internet, there was the Encyclopedia. These massive tomes covered a ton of topics and every household that could afford them had a set. We had three sets, because as the information became outdated (these were print materials, after all), we had to occasionally replace them. One set that we had – the largest version – had spectacular photos. In this collection, I first became introduced to the fine arts.

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Ah, memories

Now, I was surrounded by art all of the time. My mom had a creative streak and my brother and I both sketched. But it wasn’t until I saw a painting in the encyclopedia that I knew that there was something very special about art. It impressed me so much that I remembered the name of the artist and the painting, more than 20 years after I first laid eyes on it.

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Portrait of Comtesse d’Haussonville by Jean-Auguste Dominique Ingres took up nearly a whole page of the encyclopedia volume that I was perusing as a child. The countess appears to be looking directly at you, sizing you up but not in a disapproving way. She seems to be peering at you to figure out if she can share a confidence or two with you, or if she should refrain from chatting too much. She seemed so real, though I knew she was a painting of someone that died long before anyone that I knew had even been born.

Her strikingly elegant and self-possessed expression stuck with me all of these years. I guess you could say that this was the first time that art impacted me in a conscious way (though it was my encounter with a Gerome painting that first stirred any sort of strong emotion in me). It’s funny: after all this time, I’m still wondering if the Comtesse approves of me. Art has a peculiar way of making you think for years after the first encounter. Great art is memorable in the way that most of us strive to be in our daily lives.

That’s it for now. I hope you all enjoyed this post, and I hope that this Wednesday is fun and energizing for you all. Take care!