A few months ago, I went to a special event at Virginia Museum of Fine Arts, announcing an upcoming exhibition. That exhibition was a retrospective of the creative career of Howardena Pindell, multimedia artist, activist and professor. “What Remains to be Seen” is an impressive ouevre that showcases Pindell’s evolution as an artist, and is broken down into the different phases of her life and creative journey.
Today (November 25) is the last day to see the works, so I’m heading to the museum shortly so I can enjoy them one last time before they leave. However, I’ve got a few pictures for you all in this post, some additional commentary (of course LOL!) as well as a YouTube video of Pindell’s most famous short, “Free, White and 21”. Enjoy!
Howardena Pindell
Pindell’s use of grids and numbers created some of her most riveting work. I love seeing how she turns numbers and otherwise sterile, math-related tools and objects, into art.
The 3-d grid below is a good example of the blend of art and math. It’s probably one of my favorite works by her.
The tiny individual circles affixed to many of Pindell’s pieces reveal her love of mathematic perfection reinterpreted. These pieces, attached to the grids she loved to work with, were occasionally numbered individually.
Like many artists, Pindell sought to promote cultural shifts through activism. Her works also featured socio-political themes that were near and dear to her.
One of my favorite themes explored by Pindell was that of science. Closely related to her mathematics fascination, her interpretation of natural phenomenon and wonders created some of her most aesthetically charming works (though, to be honest, I love all of her work and find it all aesthetically pleasing). I especially loved “Nautilus” and “Night Flight” (pictures are below).
Finally, here is “Free, White and 21”, Pindell’s video experiment where she aims to repair her memory loss (caused by a serious car accident) by recalling memories from earlier in her life.
