We’re discussing Style Thoughts by Rita’s Four Essence System again, because I’m fascinated by how this system explains the energy and soul behind personal style. There are four tools within the Four Essence System (I’ve already discussed tool # 1 here). Today, I’m on to Tool # 2 – Archetypes. The section of the video that broadly talks bout archetypes is found at minute 3:33.
Anyway, I’m exploring archetypes that fit my Right-Up essence. This quadrant contains women that tend to have a regal energy, that can run the gamut from intimidating to adorable. The keywords for Right-Up women that resonated most with me were Luminous, Refined, The Sun, Effort, Persona and (in my mind) Glamorous. Building upon those keywords, I took a look at the archetypes to see where I fit in. Fortunately for me, Rita has already posted a video explaining the five archetypes within the Right-Up quadrant.
The archetypes for this quadrant are the Role Model, the Icon, the Priestess, the Power, and the Playful Dame/Princess. I knew, immediately, that the Playful Dame/Princess did not suit me: I don’t have the girlish energy needed to pull off this archetype. The next archetype I struck off of my list is the Power: while I do feel energetically powerful, I don’t think this is an energy that I project well out into the world. My friendly Southern nature makes it hard to have the intimidation needed to embody this archetype well.
The process of elimination left me between two archetypes: the Icon and the Priestess. I most resonate with Icon, because there is a level of mystery and ceremony with the Priestess that doesn’t suit my personality and energy. When describing the Icon, Rita says, “Her style is an extension of her mission in the world”, and, “the main thing […] is this willingness to be seen and have this comfort with your power”. As someone who has studied personal style and is constantly implementing strategies to refine and perfect the image I want to communicate to others, I can confirm that I use my style as a calling card for my mission, and I also use it as a support when communicating who I am to others.
In short, the Icon is ME! I love this archetype and I enjoyed how Rita emphasizes that the celebrity examples she uses in her videos aren’t there to show anyone “what to wear” for their archetype, but to determine the role that personal style plays in their lives. It’s this desire to understand how style supports us that drives the need to uncover our archetypes, and I’m thankful that Rita has created such great content that explains these things in depth.
That’s all for today. Take care, and I’ll talk to you all tomorrow!
At Hotel do Chiado, I visited the rooftop bar, and I was blown away by the beautiful artwork lining the corridors leading to the restaurant. It took me back to my fabulous time at Ibis Styles hotel in Nairobi, and the fabulous pieces created by Kenyan artist Tom Mboya. As I looked around, I found an artist bio posted in Portuguese (cue my rudimentary translation skills). The corridor was lined with art by Paris-born, Portugal-based artist Sarah Ferreira.
Here are some of the paintings/drawings done by Ferreira, which are on display in the hall leading to Entretanto. Enjoy!
Some of the depictions were fascinating re-imaginings of famous works (like the Mona Lisa), while others were renderings of famous faces (such as Johnny Depp as Willy Wonka and Audrey Hepburn). I love how Ferreira doesn’t try to create depth with subtle shading, but indicates a break in depth and saturation through the use of solid but fluid black lines. This striking visual effect makes her work have a bit of a mosaic effect, but you never forget that you’re looking at blocks of color that have been shaped to simulate human faces. Brilliant!
That’s all for my post about Sarah Ferreira. I certainly hope that she exhibits somewhere near me in the future. Or, maybe a future exhibit in Portugal will be just the motivation I need to book my next trip!
This is the penultimate post on Portugal, and I feel just as sad writing it as I did when I left Lisbon for the next stop on my trip!
The night before we left, we stopped by an elegant hotel and decided to dine there. The hotel we chose was Hotel do Chiado, and we dined at Entretanto, the hotel’s exquisite rooftop bar and restaurant. The meal options were just enough: there was a little something for everyone. I enjoyed my cocktail – the Pink Affair – and my entree, tortellini with cheese and spinach. We also tried some exquisite port and Madeira. We ended our meal with apple pie and a twirl around the rooftop. Here are some pics from my time at Entretanto:
I’m so glad we got to enjoy a meal at Entretanto. I would love to return and try the 5 o’clock tea meal next time.
The next – and final – Portugal post will have some incredible photos from within Hotel do Chiado, because, as it turns out, the corridor leading to the restaurant had an art collection from a Portuguese-based artist. I’m so excited to share those pictures soon! Until then, take care.
Happy Monday, friends! It’s another Portugal post (one more Portugal post is scheduled, then we’ll dive into the Spain and Greece portions of my trip). This post is about Sintra National Palace, a fabulous historical and cultural site located just outside of Lisbon. I loved touring the building and learning more about this incredible region.
I really enjoyed coming to this site, and learning so much about the history of Portugal’s ruling elite. The luxury on display at this palace was nothing short of inspirational: I felt right at home!
Here are some of the pics from my tour:
The National Palace was certainly a highlight of my trip, and one of my favorite features of Portugal in particular. Have you all visited here before? I’d love to hear about your experiences in the comments below!
In the middle of my time in Lisboa, I got to attend the Rock in Rio Lisboa concert. The event was held at Parque da Bela Vista on June 25th. This major music festival featured Bush, A-ha, UB40, and Duran Duran, along with numerous other artists from around the world (including the one and only Ney Matogrosso).
It. Was. AWESOME!
I wish I could have taken you all there with me. But, then again, given the size of the festival, maybe you were there 🙂 Here are some of the pics from the event. Enjoy!
Here are a few images of the most opulent things I’ve seen in the past week. Just thought I’d share these divine Faberge eggs that I saw at Virginia Museum of Fine Arts. The eggs are exquisite works of art that capture the idealized beauty and fragility of the Russian monarchy. I love that these objects represent the intersection of history, art, and culture. Cheers to opulence and abundance!
Hello friends! It’s been a while since I wrote on this blog, because I’ve spent the past several weeks traveling, as well as getting back into my groove post-travel. I mentioned how much I wanted to travel in 2021, but as luck would have it, I was unable to go all of the places I wanted to visit.
However, 2022 has been a year that is in my favor, and this year, I FINALLY got to resume international traveling. And it was fantastic!
I went to Portugal, Spain, Greece and Turkey over a 2.5 week period. I’m sharing a few of my favorite travel pictures in this post, but there will be more extensive write-ups on each location in the weeks to come. Look out for those posts, as well as more Fibro Friday details, some of the fun stuff I did to prepare for my travels, and more! Talk to you all tomorrow!
(photos from Lisbon, Portugal)
(Photos from Granada, Spain; Rhodes; and Kusadasi, Turkey)
Here’s the post that went up prematurely a few weeks ago: it’s all fleshed out and full of pics. Enjoy!
A couple of months ago, I discussed Grace Kelly’s impeccably elegant style, and I found it extremely helpful for my own style journey to apply an analytical lens to her style choices. It’s been a while since I did a Kibbe style chat, and this particular star’s style has been a favorite of mine for years. I figure that there is no time like the present to discuss another Soft Classic (SC) beauty, Marion Cotillard.
The effect: Old Hollywood Revisited
Marion is an established actress, winning numerous awards for her portrayals. I find her fascinating, as she is often on what I consider the “outskirts” of pop culture. She is undoubtedly talented and popular, but she doesn’t appear on the gossip sites or other media outlets focusing on the shenanigans involving some A-listers. She’s “in the world [of Hollywood] but not of it”, for lack of better expressions. Marion has all of the perks of the A list but none of the embarrassing trappings. Clearly, she prefers remaining as discreet as her level of fame will allow. I admire her for this!
Marion’s philosophy of discretion over being outrageous for the public’s consumption is seen in her sartorial selections. She often keeps a simple silhouette with her hair, makeup, and clothing, though she occasionally takes chances with her appearances. Starting with her hair, it’s clear to see that Marion enjoys wearing her natural dark hair color. Her brunette locks perfectly complement her coloring, so she looks tremendously harmonious when wearing dark hair. Her hair is always quite glossy (which makes the color appear even more luscious) and is usually in a medium- to slightly-long length bob with a bit of curve. Her hair usually doesn’t have stiff curls, just a lovely curvature of the ends.
Sometimes she’ll do much longer lengths, which can give her an even more glamorous appearance. Her best looks are always very tidy, or, if slightly tousled, it’s a very calculated effortless look that doesn’t appear messy at all. What’s really fascinating is how “older” (more vintage inspired) hairstyles look tremendously modern on Marion. As a SC, she has a very balanced face that looks quite timeless, and the same hairstyles that looked marvelous on the SCs of yesteryear (like Grace Kelly, Merle Oberon and Donna Reed) look just as fresh and beautiful on Marion. In my humble opinion, the prettiest looks worn by Marion are the hairstyles that look like they are right off of the pages of a 1940s styling guide.
Marion’s makeup tends to be quite soft and simple. She will occasionally experiment with more intense looks, but she looks effortlessly and polished when she works within the makeup recommendations as outlined by Kibbe. Marion’s most incredible looks use gently defined features, with eyes and lips matching in intensity. The “watercolor” makeup approach (as advised by Kibbe) looks marvelous on her, giving her features some distinction but doesn’t overwhelm her balanced overall effect.
Finally, let’s discuss clothing. Marion looks heavenly in symmetrical ensembles with soft touches here adn there (the best look for SC). What’s really cool is that she will experiment with looks that are better suited for other style IDs, presumably because SC clothing is often “boring” to the SCs that wear them. (Sidebar: as a SC, I understand how “boring” it can be to stay within the style recs for this ID. The trick is to add one element of different IDs while keeping the rest true to our ID.)
While regularly wearing SC clothing can feel “boring”, it is really the best canvas for seeing the naturally balanced features within the face and body. When Marion sticks to her ID, she looks heavenly. She looks incredible when she wears clothing that looks like they are directly from the Golden Age of Hollywood. Symmetrical silhouettes that fall anywhere from the knee to the ankles are smashing on her, though she occasionally plays with a mini-skirt ensemble (these look cute on her when the mini-skirt is a bubble style). Sheaths, shirtwaist dresses, and A-line ensembles are perfect on her, so long as there are soft touches that honor the yin in her frame. High quality fabrics that are neither too heavy or too flimsy suit her well, and wearing colors that are consistent (no fading) and an appropriate level of saturation (she can handle a bit of color intensity) are best.
For Marion, she would do well to ask WWGW: What Would Grace Wear? The most flattering looks I’ve seen on Marion look like they were plucked from the Princess of Monaco’s wardrobe. However, she should avoid using the same color palette of Princess Grace: Marion’s coloring looks divine with Soft/Cool Winter colors, while Grace is a Summer, which, funny enough, is the lighter side of Winter colors. Marion could literally replicate most of Grace’s ensembles, make sure the clothing is in the Winter coloring range, and it would look fresh and modern, while still giving a nod to classic roots.
The difficulty of modern celebrity wardrobes is that there are many stylists that don’t “curate” signature looks like the old Hollywood machine used to do for its stars. For that reason, I think Marion does a great job of creating a style profile that has way more “hits” than “misses”. I also appreciate that she enjoys having fun with her appearance and doesn’t stick strictly to the silhouettes that are recommended to SCs. Even if her style risks are occasional “misses” to the public eye, so long as she’s having fun, it really doesn’t matter if others disagree with her choices.
That’s all for my style analysis of Marion Cotillard. Do you like her ensembles? Let me know what you think!
Last year, I posted about my Kibbe style ID and some of the revelations that I had related to that. After I published that post, I realized that some of my readers may find the Kibbe system confusing and even a bit overwhelming. I had some subsequent posts about the Kibbe system (like this one and this one) but these may not be clear enough for someone that is hearing about the system for the first time. Admittedly, I had no problem interpreting my original results from doing the self-typing test, but I can imagine how someone with no experience with analyzing their bone structure and flesh may not be able to come up with a conclusive answer.
I checked out a few videos that attempted to clarify how to get a good set of Kibbe results, but I found that there are a few other things that you can try to give you more clarity on what your true style ID is. Here are three things that you can try, to get a better “guess” of your Kibbe type.
Reface yourself with a celebrity that shares your Kibbe style ID. I stumbled across this method when I was curious about trying a new hairstyle. While playing around on the app, I refaced myself as Marion Cotillard, Teyonah Parris (an unconfirmed Kibbe SC), Grace Kelly, Veronica Lake and Dita Von Teese (another unconfirmed Kibbe SC). At the end, I noticed that I looked more seamless when I refaced as a SC. But, when I refaced myself as Dorothy Dandridge (Kibbe Theatrical Romantic), Halle Berry (Kibbe Soft Gamine) and Diahann Carroll (Kibbe Soft Dramatic). While the final videos were cute, none of them looked as “true to me” as the SC Refaced clips.
Get a friend to do the test for you. Sometimes, we cannot see ourselves accurately. In fact, one blogger than I came across recently couldn’t see her own type, though quite a few of her readers advised her of what they suspected her Kibbe ID was. After many months of experimenting, she finally determined that yes, her readers were correct and had typed her accurately. What you may want to do is get a friend (or two) to complete the Kibbe ID test for you. Though David Kibbe no longer recommends the test as a way to get an accurate interpretation of your body’s lines, the test is not completely inaccurate, and having your friends complete the test based on what they observe about your body can be tremendously helpful in getting a more objective understanding of your personal lines.
Try the “squint” method. Instead of looking at your physique head on, try squinting to give a less defined but more wholistic view of your body. Sometimes, zooming out and blurring the fine details can help you take in the overall silhouette. It may not be the surest method for determining your style ID, but it can help with getting a better sense of your shape.
Those are my three tips for finding your Kibbe style ID when you’re struggling with identifying your body type. I hope these tips can help! Take care, and I’ll talk to you tomorrow.
It’s Women’s History Month, and I wanted to share some art created by a female artist of yesteryear: one that is especially meaningful when considered through the lens of current issues.
Artemisia Gentileschi is (I believe) the only female Renaissance artist with surviving pieces credited to her. She painted in a style similar to Caravaggio (my favorite Renaissance artist) and was brilliant and skilled in her own right: she was particularly gifted when it came to portraying the female body and in her use of light and colors. Unfortunately, most of what we were originally told about her was related to the fact that she was raped by fellow artist Agostino Tassi (who was convicted of rape after the case went to trial). It’s a shame that this gifted artist was, for many years, known as a victim that transferred her own trauma into art.
Gentileschi is so much more than what she experienced, and I’m glad that art historians are finally giving her story the balanced interpretation that it deserves. As someone that just learned about her in the past few years, I never thought I’d get to see her work in person (there really aren’t that many Renaissance art pieces by high profile artists outside of the major museums in large cities) without traveling outside of my city.
However, there was a surprise for me, waiting right at my local museum, Virginia Museum of Fine Art. As I browsed the Renaissance section, I stopped at a lovely painting that I hadn’t noticed before. I looked at the identification card and, lo and behold, there was a Gentileschi painting!
I’m so glad that I got to experience the creative genius of Gentileschi right in my own backyard. I really liked her use of light in the painting: it looks like someone had just opened a window and let it stream across Venus’s body. I also love that Cupid remains only partially in the light, emphasizing him as minor (secondary) to his mother Venus, the goddess of love. In this portrait, Venus (the embodiment of all sorts of love, prosperity and fertility) is the star, and Cupid (a symbol of erotic and passionate love/lust) is in a supporting role. I interpret this as the passion of lust is unable to outshine the vastness of real love, and I suspect that even the source of light depicted wouldn’t shine quite so brightly if Cupid was the only subject of this painting.
Another thing: I really enjoyed the depiction of Cupid fanning his mother, showing him in service to her. It makes me think of how lust and passion are at their best when they are in service to higher forms of love. (Just a personal takeaway).
I just wanted to share that moment with you, because I still love art and find inspiration in it. I hope this post inspires you, too! Have a great day, and I’ll talk to you all tomorrow!