Happy Monday, friends! It’s another Portugal post (one more Portugal post is scheduled, then we’ll dive into the Spain and Greece portions of my trip). This post is about Sintra National Palace, a fabulous historical and cultural site located just outside of Lisbon. I loved touring the building and learning more about this incredible region.
I really enjoyed coming to this site, and learning so much about the history of Portugal’s ruling elite. The luxury on display at this palace was nothing short of inspirational: I felt right at home!
Here are some of the pics from my tour:
The National Palace was certainly a highlight of my trip, and one of my favorite features of Portugal in particular. Have you all visited here before? I’d love to hear about your experiences in the comments below!
Hello friends! It’s been a while since I wrote on this blog, because I’ve spent the past several weeks traveling, as well as getting back into my groove post-travel. I mentioned how much I wanted to travel in 2021, but as luck would have it, I was unable to go all of the places I wanted to visit.
However, 2022 has been a year that is in my favor, and this year, I FINALLY got to resume international traveling. And it was fantastic!
I went to Portugal, Spain, Greece and Turkey over a 2.5 week period. I’m sharing a few of my favorite travel pictures in this post, but there will be more extensive write-ups on each location in the weeks to come. Look out for those posts, as well as more Fibro Friday details, some of the fun stuff I did to prepare for my travels, and more! Talk to you all tomorrow!
(photos from Lisbon, Portugal)
(Photos from Granada, Spain; Rhodes; and Kusadasi, Turkey)
Happy Black History Month! I know I’m a bit late with this post, but I’ve been trying to get back on track with my writing and filming schedule (no easy feat, but I’m getting there!)
I posted a video on my YouTube channel last week, discussing the Black authors that I will be reading this month (I originally had five hardback and paperback books, but also added some digital books to the mix, just in case I finished before the end of the month). I’m focusing on reading up on a few different topics (not just self help!) and branching beyond American-centered stories, which is new for me.
Here is my book list for the month: I’m looking forward to diving into these.
It wouldn’t be my book list is I didn’t include at least one self-help/advice book. Drop the Ball by Tiffany Dufu promises to show me how to achieve more while doing less. Less effort, more results? Sign me up!
The next two books are about the history of Black entertainment in the US. The Power of Pride by Carole Marks and Diana Edkins spotlights the superstars of the Harlem Renaissance, including some lesser-known luminaries of note. Then, I’ll be enjoying Brown Sugar by Donald Bogle which focuses on Black actresses, singers and other entertainers from the 1920s to 1970s. I’m really excited for both of these books, since I’m in love with all things vintage.
Finally, I have one more book that made it onto my back-up list: Clay’s Ark by Octavia Butler (I previously read Wild Seed and Mind of My Mind, in this set: “Seed to Harvest: The Patternist Series“). As a huge Octavia Butler fan (I posted about her ages ago), I’ve been eager to get back into reading her books, and Clay’s Ark was next on my list. And, since March is Women’s History month, I can always continue my reading streak and carry this book and the Toni Morrison one into the next month, if I run out of time in February.
That’s my reading list for the month: I’m looking forward to each of these! Do you have any books you’re reading this month? I’d love to hear all about them in the comments below. Also, here’s my YouTube video, discussing these books a bit more:
Here are some pictures from the Worsham Rockefeller bedroom:
I was captivated by all of the fine details of this room: the ornate ceiling, the embellished door, the tasteful sitting area (I’d venture to call this a proper boudoir area, but it retains a certain formality that I wouldn’t expect in a French-inspired boudoir), the harmonious color palette of burgundy, brown, and gold . . . Everything about this room is so carefully selected and perfectly appointed.
During one of my many jaunts down the Google rabbit hole, I found myself in 1930s-40s-50s Black American music history. I always love looking at the style of clothing, listening to the recordings of the artists, and finding out some of the fascinating backstory that led to their rises to fame and, many times, their untimely and tragic demises.
Every now and then, I find myself in an interesting corner of Black American history. One such corner is the part of history that contains the legacies of LGBTQIA+. In this corner is where I found Gladys Bentley, lesbian icon, trailblazer, and unapologetic star.
Prior to this year, I was completely unfamiliar with Ms. Bentley’s story. However, when I read about her, I made sure to jot her name down so I could write about her when I had the chance. I’m fortunate to be able to discuss her life and legacy now. When I saw a photo of her, I was immediately struck by her impeccably tailored white suit (at least, I think it was a white suit: the photo was in Black and white, after all), her matching cane, and a white top hat worn at a jaunty angle. Everything about her screamed stylish and confident star.
But it was her story that made me want to both cheer and weep. Ms. Bentley was a cross-dressing star during the Harlem Renaissance, a period of time that embrace the avant garde and brilliant creative endeavors of Black performers. During this time, she thrived due to the novelty of her act, but her talent is what kept people hooked on Gladys. She could sing well, play piano, and work a crowd like no other. Her song selections were risque and fit the vibe of the smoky speakeasies where she performed. She didn’t try to pass as a man: she made no attempt to hide her full bust or wide hips. She achieved major success for several years, and she lived luxuriously during this time.
Sadly, her story had a heartbreaking beginning and a tragic end. Ms. Bentley was initially rejected at birth by her mother, who wanted a son. While her mother eventually started to care for her a few months after her birth, the trauma (and, no doubt, toxic messaging that was doled out over time) lingered and was what she believed was the root cause of her sexual orientation. Years later, as her career declined, she tried to live as a heterosexual woman, marrying and divorcing twice. She eventually died at the age of 52 from pneumonia. She claimed to have been “cured” of her homosexuality, with her cure curiously coinciding with the McCarthy Era. This is just my humble opinion, but I suspect that the claim of a “cure” was probably Ms. Bentley’s way of protecting herself from additional harassment and potential abuse. But that’s just a speculation.
I had a chance to check out some of her discography, and I enjoyed listening to Ms. Bentley’s full, resonant voice. Anyone that has listened to recordings from the first half of the 1900s knows how difficult it is to enjoy some of the songs. The recording quality, as well as the style of singing preferred by the public, is quite different from the music preferences of the past 30 years or so. That being said, I found that her voice was closer to being “timeless” than some other artists of that period. If any of her original records could be digitally enhanced, I’m sure that many of her songs would have experience a revival of sorts, becoming popular with a new generation, nearly 100 years after she first sang them.
I wish Gladys Bentley was more well-known today, and I sincerely hope that this post, though simple, honors her memory. Instead of focusing on the tragedy that she experienced, I will share the gift of her music with you all. Here is a YouTube video of one of her songs. Enjoy.
I’m finally writing a post that I’ve wanted to write for weeks now: welcome back to the Smithsonian Institute! During what is officially the longest shutdown in US history, visitors had to go without this cultural treasure.The Smithsonian Institute (SI), along with the National Gallery of Art (NGA), are finally running again after shuttering their doors at the end of December. Even when several other federal agencies were furloughed, SI and NGA both made sure to continue operating until the end of the calendar year.
It’s this commitment to the American public that really distinguishes these fine organizations. No one is happier to welcome them back that I am.
However, my post about the exhibitions came right before the government shutdown. I was not aware that the shutdown would be affecting the Smithsonian Institution as well as the National Gallery of Art. As a federal employee, I’m aware of what a shutdown can do. I’m also aware that the Smithsonian is part of the federal government. Despite knowing these things, I did not know that the shutdown would happen for such a long period of time. I also didn’t know to the extent that the Smithsonian would be affected.
The Smithsonian Castle
Regrettably, while the shutdown continues, the Smithsonian and the National Gallery of Art are not available to serve the public who have funded them throughout the year. I regret that so many people will not be able to enjoy these fine museums until the government is up and running again. Fortunately for us, the Smithsonian and the National Gallery of Art have made many exhibitions viewable on their respective websites. Yes, I know that websites don’t compared to viewing these treasures in person, but until the museums reopen, we’ll have to make do with what we have.
Let’s all send good vibrations to the hard-working staff of the Smithsonian and National Gallery of Art, who will not receive compensation while the shutdown is occurring. Let us also send good vibrations to the legislators who are trying their best to resolve the shutdown issue with as little negative impact to the workers as possible.
This summer, I spent several days at different museums taking in the exhibits. While I wrote about most of the exhibits that I enjoyed, I had a couple of exhibits that I haven’t yet discussed here. I opted to wait on this one because I thought I’d have a chance to check it out again before I left. Alas, time got away from me and I didn’t return before the last day of the exhibit. However, I have a sufficient amount of photos, and I’m familiar enough with the subject matter to do a decent post. So, let’s discuss horses in Ancient Greece, shall we?
Way back when I first started studying art, I took an art history course and I fell in love with Greek art. Something about the draped garments of the kore and caryatids seemed ethereal to me. I was officially in love when I first saw the Nike of Samothrace – Winged Victory – statue. Headless and armless, she still seemed so dynamic and magical and that was the kind of thing I regularly saw when I looked at Greek art. Power, motion, and magic, all bundled into singular pieces of art.
Winged Victory (Nike) of Samothrace, The Louvre Paris
This exhibit, The Horse in Ancient Greek Art, was shown at the Virginia Museum of Fine Arts in Richmond, VA. The exhibit highlighted the horse’s significance in the social hierarchy and cultural landscape of Ancient Greece. Horses were valued possessions, and were a luxury not afforded to the average man. The cost of horse maintenance meant that only the wealthiest and most powerful people in Ancient Greece could afford to own and care for these beauties.
The exhibit featured a lot of vases and urns, which were decorated with paintings of horses. Horses were featured prominently on coins and monumental plaques, as well. It was interesting to see how the depictions of horses changed over different historical and artistic periods.
Being a wine lover, I can appreciate any of the vessels used to hold the nectar of the gods. Naturally, I was entranced by the choes and oinochoes. The Greeks loved combining beautiful presentation with practicality just as much as we do today.
So I learned more about Greek art, the significance of horses, and the many kinds of vases in Ancient Greece. It was a great experience, and my only regret is that I didn’t visit it at least twice before it left. I seem to do this with almost every visiting exhibit – will I ever learn? Anyways, that’s all for today. I hope you all enjoy your Saturday. Talk to you tomorrow!
Hey friends! I’ve been meaning to do this post for a while, but I had some distractions on my end that prevented me from focusing for a bit. However, I’m back, I have a bit more time, and I can finally share some of the artwork that I loved at the Haitian Embassy.
Murat Saint Vil, Islande of La Tortue
As you recall, I went to the Haitian Embassy last month, and I enjoyed a fun evening of music, food and fun personalities. While I don’t consider myself particularly social, I loved having the opportunity to get out for a bit and do something different from my ordinary routine.
Manes Descollines, Odette; Raymond Olivier, GreenLight
I’ve mentioned several times before that the Haitian Embassy has an impressive art collection featuring works created by Haitian artists exclusively. The embassy is a mashup of a museum, an office, a library, and an elegant mansion. This is the kind of over-the-top grandeur that I LIVE for!
Wilson Bigaud, The Healers (1973)
So the embassy is 3 stories high, and on the walls lining the stairwell, as well as all of the corridors, there are endless photos and paintings capturing the vibrant and beautiful energy of Haiti. I’ve visited Haiti and fell in love with the beautiful landscape and people. Visiting the embassy is the closest I can get to the island for now, and I’m thankful for it.
Yves Michaud, And God created Women
There were so many great paintings to see, and I wish I could have had the whole day to look at them all and ask questions. Sadly, I was only there for a little while: the event was in the evening and there was so much other fun things to check out at the embassy that learning more about the artwork simply wasn’t possible.
Saint Louis Blaise, Interpellation (1980)
The crown jewel of the embassy was the only known painting of the royal issue of the first king and queen of Haiti. Three of the children of King Henri I and Queen Marie-Louise are depicted in the painting. This precious and significant artwork has been in private in hands for many years and has finally made it back to the people of Haiti. It was my privilege and joy to see it in person. If you would like to know more about the painting, click here. Please disregard the mislabeling presented in the article: this is the crown prince and his sisters, not the king, queen, and one of the princesses.
Unknown, Prince Victor-Henri, Princess Amethyste and Princess Athenaire
This is just a soupcon of the breathtaking art I saw while at the embassy. I can’t wait to return and see what new art they will have on display! I hope you all enjoy – talk to you all tomorrow!
Happy Wednesday, friends! This is my final Asian Art auction post, and yes, I’m discussing the second half of the auction events happening at Christie’s. These auctions are happening on September 13 and 14, which will conclude the week of Asian art-themed auctions held by Christie’s Auctions.
September 13 begins with Masterpieces of Cizhou Ware: The Linyushanren Collection Part IV at 10 AM. This auction is small – it’s only featuring 41 lots – but the pieces being sold are part of an exclusive private collection featuring pieces created with a Cizhou kiln. These ceramic items were once common in the 11th to 14th centuries but are treasured now for their fine detail and enduring beauty. My favorite piece of Cizhou ware is this polychrome censer (incense burner). The polychrome factor makes it unique from most of the Cizhou ceramics, which were mostly done in black-and-white. I love the rarity and the colorfulness of this adorable piece. I don’t burn incense very often, but if I had this censer, I’m sure I would be compelled to do so more often! This little rare beauty could go for $3,500 or more to one lucky bidder.
A Very Rare Cizhou Polychrome-Glazed and Sgraffiato Censer
The Fine Chinese Ceramics and Works of Art is a massive auction to be held over two days – both September 13 and 14 – and will feature nearly 300 lots. Since this auction has so many pieces, you can bet that the auction will be dizzying. From this auction, my pick is the rare pale greyish-green jade “peach” box and cover. This charming little box is an unusual shade and the finely detailed carving on the box make it a true treasure. At a little less than 6 iinches across, it’s also large enough to hold some treasures, too. The estimated selling price is between $12,000 and $18,000: this will make someone very happy should they win the auction.
Rare Pale Greyish-Green Jade “Peach” Box and Cover
The showstopping auction is the Qianlong’s Precious Vessel: The Zuo Bao Yi Gui auction on September 13. This auction has one lot but it’s quite a beauty and it is estimated between $4,000,000 and $6,000,000. This vessel is over 3,000 years old and the bronze is well preserved. If there is any auction that you should attend, this is the one. This is a once-in-a-lifetime opportunity to see an item this significant be sold to the public.
The Zuo Bao Yi Gui (Early Western Dynasty, 11th – 10th BC)
The last auction to discuss is the Fine Chinese Jade Carvings from Private Collections on September 13. As it just so happens, I love jade and selecting just one item from the 107 lots available was a tough task. My choice was made a bit easier when I laid my eyes on the White Jade Butterfly Plaque. The impeccably preserved plaque has lots of fine carving and the milky colored-jade catches the light beautifully. The lovely butterfly has an estimate of $4,000 – $6,000.
White Jade Butterfly Plaque (18th – 19th Century)
Well, that concludes Asian Art Auction week’s top picks. I hope you get a chance to view some of the auctions scheduled and see what items you are drawn to. You can learn a lot about yourself – and art in general – just by listening to your personal tastes and exploring those notions, hunches and inklings further.