At Hotel do Chiado, I visited the rooftop bar, and I was blown away by the beautiful artwork lining the corridors leading to the restaurant. It took me back to my fabulous time at Ibis Styles hotel in Nairobi, and the fabulous pieces created by Kenyan artist Tom Mboya. As I looked around, I found an artist bio posted in Portuguese (cue my rudimentary translation skills). The corridor was lined with art by Paris-born, Portugal-based artist Sarah Ferreira.
Here are some of the paintings/drawings done by Ferreira, which are on display in the hall leading to Entretanto. Enjoy!
Some of the depictions were fascinating re-imaginings of famous works (like the Mona Lisa), while others were renderings of famous faces (such as Johnny Depp as Willy Wonka and Audrey Hepburn). I love how Ferreira don’t try to create depth with subtle shading, but indicates a break in depth and saturation through the use of solid but fluid black lines. This striking visual effect makes her work have a bit of a mosaic effect, but you never forget that you’re looking at blocks of color that have been shaped to simulate human faces. Brilliant!
That’s all for my post about Sarah Ferreira. I certainly hope that she exhibits somewhere near me in the future. Or, maybe a future exhibit in Portugal will be just the motivation I need to book my next trip!
Here are a few images of the most opulent things I’ve seen in the past week. Just thought I’d share these divine Faberge eggs that I saw at Virginia Museum of Fine Arts. The eggs are exquisite works of art that capture the idealized beauty and fragility of the Russian monarchy. I love that these objects represent the intersection of history, art, and culture. Cheers to opulence and abundance!
Hi friends! I know that I missed the Writers Wednesday post yesterday, but since it’s the first couple of days of NaNoWriMo, I don’t have much to say. I’m still figuring out exactly what I want to write, so an entire update post was sort of unnecessary. I figured this paragraph would be more than enough to explain what’s going on. Now, back to the topic at hand …
Recently, I went to Virginia Museum of Fine Art (VMFA) with a group of brand new friends. After enjoying tea in the museum’s garden, we checked out the Fine Art and Flowers exhibition. This was a 5-day long exhibition that featured fresh flower arrangements inspired by some of the museum’s current art installations.
I only wish I had more time to see all of the arrangements (it would take at least two visits to make sure that I saw all of the flowers). But what I saw, I enjoyed immensely. Here are some pictures from the exhibition:
I saw a few more arrangements but didn’t have the chance to photograph them. The flowers were such a bright, welcome addition to the museum. I didn’t bother getting the map of the locations of all of the arrangements: I preferred to discover them on my own. I loved how it was almost like a scavenger hunt to locate the arrangements! If this year is any indication, then I can comfortably say that the creativity of the floral artists will wow us for years to come. I can’t wait to see the floral arrangements next year!
One of the greatest joys of my life was visiting museums. Prior to 2019, I regularly worked in Washington, DC, which meant that I could easily go to a major museum during my lunch break or after work. I loved walking those corridors and taking in art from all around the world, as well as art that documented the history of America. Nothing was as soothing to me as spending time at the Smithsonian and checking out the latest exhibitions.
However, things changed drastically at the end of 2018. I was unable to walk more than a few feet without getting winded, I could only sleep for an hour or so at a time, and the unrelenting body aches that I experienced left me frustrated and frightened. As someone that was used to being far more active, I was terrified of these mysterious symptoms that took away my basic abilities to navigate the world like I’d previously done. As it turns out, I had fibromyalgia, and I immediately started a telework schedule that would allow me to rest as needed throughout the day. Unfortunately, my condition made traveling to DC absolute torture. So, I had to put my museum mini-trips on hold until my health improved.
I still haven’t gone back to visit the museums in DC, though I have spent some time at my local museum earlier this year (I was thrilled to finally be able to walk around a bit without experiencing excruciating pain). However, it’s National Arts and Humanities Month, and I just want to take a moment to share some of the amazing things happening at the Smithsonian in honor of this month-long celebration.
On October 23rd, the Smithsonian will be kicking off its own craft show. The show will occur virtually, and the theme is Celebrating American Artistry. The crafts featured in the show are created by carefully selected artisans that create work that reflects American aesthetics and sensibilities. What better way to celebrate art than to purchase some for yourself? Interested shoppers can securely purchase items through the Smithsonian platform, adding a layer of assurance for both shoppers and the craftspeople that are involved in the exchange. The event ends on October 31st.
The Arthur M. Sackler Gallery, the Asian art museum within the Smithsonian, is the host of the DC Turkish Film Festival. The films that are featured in this festival are all available online for free, so anyone can enjoy from the comfort of their homes. The films will be available through the Sackler Gallery through October 31st.
The companion to the Sackler Gallery is the Freer Gallery. At the Freer Gallery, the Hokusai: Mad About Painting exhibition is a fascinating dive into the art of Katsushika Hokusai, a Japanese artist that is arguably among the country’s most famous painters. The Freer Gallery has an impressive collection of Hokusai’s work, and anyone interested in learning more about this gifted artist would do well to check out this exhibition. But hurry: it will only be at the gallery until January 9, 2022.
The National Museum of African Art (located just one block from the Free and Sackler Galleries) is currently displaying Heroes: Principles of African Greatness, an exhibition that centers on how art is used to tell the stories of heroism and the traits of effective African leaders. This one is definitely worth checking out sooner rather than later, since the end date for this exhibition is still to be announced. Nothing is worse that postponing a visit and finding out that you mistimed your travel and lost the opportunity to do something that you wanted to do (trust me: it’s happened to me, and it was no fun!)
Finally, the Archive of American Art is hosting the exhibition, What is Feminist Art? This exhibition is a continuation of a discussion that was initiated back in 1976, and some of the same artists that participated in the 1970s also participated this time around. This exhibition promises to be an eye-opening discussion on feminism and how it has changed, or remained the same, over the past 45+ years. This exhibition closes on December 31st.
Would you check out any of these exhibitions? Or, do you have other plans to celebrate National Arts and Humanities Month? I’d love to hear all about it in the comments below!
After many months of staying inside and avoiding gathering in public places, I finally ventured out and visited my beloved local museum, the Virginia Museum of Fine Arts (VMFA). The museum reopened a while ago but it’s been well over a year since I’ve visited. It was a little eerie to return to the museum: it took me a moment to reacquaint myself with the layout. But once I started walking around a bit, it all came back to me.
For anyone that has not visited VMFA before, let me tell you, it is a gorgeous museum with incredible permanent and visiting exhibitions. If you’re in the area, it’s definitely worth checking out. And, if you’re visiting anytime before September 6, 2021, you can view a very special exhibition that highlights Southern artistry and creativity. The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse gives visitors a peak into the energy and dynamism of 20th century Southern Black American culture and artistry. According to VMFA’s website, the exhibition, “[…] chronicles the pervasive sonic and visual parallels that have served to shape the contemporary landscape, and looks deeply into the frameworks of landscape, religion, and the Black body—deep meditative repositories of thought and expression.” This fascinating exhibition combines both visual and audio art, to create a truly immerse creative experience.
Naturally, I took pictures while I was at the museum though, for this visit, I focused more on savoring the fact that I was finally visiting this beautiful space after a long year. Here’s a little bit of the Dirty South experience:
I hope you all enjoyed the photographs! And if you have a chance to visit the exhibition, I highly recommend that you check it out: it’s worth a visit, for sure!
Happy Tuesday, friends! On this day, 151 years ago, the Metropolitan Museum of Art in New York City was granted an Act of Incorporation. This means that today is the Met’s birthday!
Now, I’ve not been to the Met yet, and, seeing as how I probably won’t be going to New York this year, I can’t say for sure when I will visit. But this impressive museum is on my bucket list, and for good reason. The museum has over 2 million works in its permanent collection and is by far one of the most famous art museums in the United States. As a matter of fact, they have multiple works by my favorite Neoclassicist, Jean-Leon Gerome (you all remember that I wrote about how much I love Gerome’s work in this post and in this one).
However, my admiration of the Met includes a serious criticism. One thing that has made me raise an eyebrow at the Met is the decision in 2018 to start charging $25 for most out-of-state and foreign visitors. The original Act of Incorporation indicates that the Met should be free in perpetuity, but museum president Daniel Weiss decided to break tradition and start charging fees. At first glance, it seems like a shameless money grab (and in many ways, it is), but it’s a little more complicated than that. This decision to charge fees was allowed by the City of New York, in exchange for decreasing the Met’s funding from the city. These funds that are no longer going to the Met have been allocated to increasing “artistic diversity” and will support other facilities that give a platform to more diverse creatives.
However, ever so often, we get to see balanced restored in our world, and what seems like fairness reappears for a brief shining moment (if you know the reference, leave it in the comments!). Yes, the Met collected fees in 2018, 2019, and the early part of 2020. However, COVID-19 reduced the annual visitors from nearly 6.5 million per year to just over 1 million. The loss of revenue has left the museum in the awkward position of deciding whether to deaccession or sell of part of its collection, just to cover their expenses.
I can’t say that I’m not partially amused that greed came back to bite the Met, but my chuckles are tempered by two things. Firstly, this loss of revenue caused 20% of the Met’s staff to lose their jobs (this saddens me tremendously). Secondly, this is even more motivation to keep the admission fees, as the Met will need to build up its cash reserves and avoid becoming insolvent as best it can. Now, I’m sure that the Met will do just fine (I don’t foresee any long-term closures, especially now that there are safe visiting procedures in place). I’m just concerned that COVID-19 may have built a stronger case for admission fees than anything that the museum could have offered in a public statement.
So, today, I’m celebrating the Met, praying that they eliminate the admission fees, and keeping my fingers crossed that I may be able to purchase a Gerome sketch during some sort of auction of the Met’s works. A girl can dream, right?
In the second episode of Think Like an Art World Expert, host Glen Hardwick-Bruce interviews Anakena Paddon, Studio Manager for Kevin Francis Gray. Paddon explained her role in the studio as handling many of the operations and logistics details so that the artist is free to focus on creating works. I really loved this interview because Paddon distinguished her role from that of a personal assistant (a role often confused with studio management).
Paddon describes her role as involving a great deal of coordination between Gray’s UK and Italian studios, as well as serving as a representative for the studios when interacting with other entities (such as galleries and interested collectors). She also worked tirelessly on creating the uniform social presence that Kevin Francis Gray studios now enjoys online.
I love the many facets that Paddon outlines in her role, and I will listen to this one again and take good notes! Definitely check out the podcast, or, if you’re interested in learning more about the studio, check out Kevin Francis Gray either on the website or on Instagram.
I’m finally writing a post that I’ve wanted to write for weeks now: welcome back to the Smithsonian Institute! During what is officially the longest shutdown in US history, visitors had to go without this cultural treasure.The Smithsonian Institute (SI), along with the National Gallery of Art (NGA), are finally running again after shuttering their doors at the end of December. Even when several other federal agencies were furloughed, SI and NGA both made sure to continue operating until the end of the calendar year.
It’s this commitment to the American public that really distinguishes these fine organizations. No one is happier to welcome them back that I am.
In the inaugural episode of Think Like an Art World Expert, host Glen Hardwick-Bruce interviews Nico Epstein, partner and director of Artvisor. Artvisor brings the world of art advisory to the internet, blending the best that the web has to offer by way of location independent advisory services with traditional brick-and-mortar art offerings (such as occasional in-person viewings).
On the podcast, Epstein describes his background in the Arts, as well as his career path post-college. He didn’t hold back in describing the closed-off nature of the art world. He identified his own competitive advantage – specifically, several family members (including his mother) who had successful careers as art academics and commercial gallery management. What I’m really enjoying about this podcast is how the host made sure to ask specific questions about the career path and tips that the guest has to offer the listening audience. Hardwick-Bruce asked some pointed questions that would be a great starting point for anyone interested in entering the online art advisory field.
Photo from Epstein’s interview with Hardwick-Bruce
Epstein also didn’t disappoint when it came to giving tips about how to succeed as an art advisor. I really appreciate it his transparency when describing his experiences as a gallerist and an advisor. This interview was a great length – right around 20 minutes – and stuck to the pertinent information regarding Epstein and his career path.
Happy Tuesday, beloveds! I’m enjoying these glimmers of summer that will be happening this week, as I’m still a bit resistant to the beginning of fall. I’ll get on board eventually, but for now, I’ll savor whatever warm weather I can get!
In the past, I did the Collector Conundrum series, where I considered different issues regarding the world of art collecting. This is a sort of addendum to that topic: not directly related to the conundrums discussed but a little something to consider. I recently read this article on Angela Bassett curating an art show for Band of Vices Gallery in Los Angeles, CA. I thought about the appeal of a major celebrity, personally selecting artwork that she found interesting, impactful, and meaningful. It occurred to me that the celebrity curator could be a magic bullet for some of what’s ailing the art world.
Angela Bassett, actress and first-time art curator (photo courtesy of Instagram)
There will always be art collectors, enthusiasts, dealers, etc.,. However, the inclusion and integration of younger collectors has been challenge for some art institutions, especially in this age that emphasizes minimalism and location independence. With the prominent shift away from excess and a prioritization of living with less, art ownership is still prestigious but not as alluring to many young would-be collectors.
But the celebrity curator is a fascinating draw for museums and galleries: the collaboration can be good for the institutions as well as the celebrity. Institutions get a fresh vision from an individual that is probably very similar to many potential collectors (people that probably purchase art using their personal taste and amateur-to-intermediate level knowledge); celebrities get the chance to express themselves in a new way, meet new people that share their interests, and support cultural institutions in a substantial way.
Personally, I’m excited to see what other celebrity curators arise in the upcoming years. I’d also be interested to see how many galleries and museums see a rise in sales and visitors due to these celebrity-curated exhibits. This could be a great opportunity to leverage current tastes into museum and gallery success. I hope that these institutions explore and take advantage of celebrity curator opportunities in the future.