art · culture · international · life curation · luxury · travel

My Time in Portugal, Part 5 – Spotlight on Sarah Ferreira

UPDATE: Sarah Ferreira reached out to me on Instagram – Here is her account. Please check her out and make sure that you let her know how much you love her work.

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This is my last Portugal post (I’m sorry to see this series end, but I’ll be sharing multiple posts about Spain next!) First, I wrote about my overall impression of Portugal. Then, I shared the fun I had at Rock in Rio Lisboa. Next, I talked about the beauty that is Sintra National Palace. And last week, I shared my experience at Hotel do Chiado and their rooftop bar restaurant, Entretanto.

At Hotel do Chiado, I visited the rooftop bar, and I was blown away by the beautiful artwork lining the corridors leading to the restaurant. It took me back to my fabulous time at Ibis Styles hotel in Nairobi, and the fabulous pieces created by Kenyan artist Tom Mboya. As I looked around, I found an artist bio posted in Portuguese (cue my rudimentary translation skills). The corridor was lined with art by Paris-born, Portugal-based artist Sarah Ferreira.

Upon further research, I determined that Ferreira doesn’t have a website (there is another Sarah Ferreira that creates art, but she is US-born and based). It appears that she has intentionally maintained a low-profile online. I love that she isn’t hyper-visible, yet her work is still being found by people all over the world (like me).

Here are some of the paintings/drawings done by Ferreira, which are on display in the hall leading to Entretanto. Enjoy!

Some of the depictions were fascinating re-imaginings of famous works (like the Mona Lisa), while others were renderings of famous faces (such as Johnny Depp as Willy Wonka and Audrey Hepburn). I love how Ferreira doesn’t try to create depth with subtle shading, but indicates a break in depth and saturation through the use of solid but fluid black lines. This striking visual effect makes her work have a bit of a mosaic effect, but you never forget that you’re looking at blocks of color that have been shaped to simulate human faces. Brilliant!

That’s all for my post about Sarah Ferreira. I certainly hope that she exhibits somewhere near me in the future. Or, maybe a future exhibit in Portugal will be just the motivation I need to book my next trip!

art · culture · food · international · life curation · luxury · travel · wine

My Time In Portugal, Part 4 – Hotel do Chiado and Entretanto

This is the penultimate post on Portugal, and I feel just as sad writing it as I did when I left Lisbon for the next stop on my trip!

The night before we left, we stopped by an elegant hotel and decided to dine there. The hotel we chose was Hotel do Chiado, and we dined at Entretanto, the hotel’s exquisite rooftop bar and restaurant. The meal options were just enough: there was a little something for everyone. I enjoyed my cocktail – the Pink Affair – and my entree, tortellini with cheese and spinach. We also tried some exquisite port and Madeira. We ended our meal with apple pie and a twirl around the rooftop. Here are some pics from my time at Entretanto:

I’m so glad we got to enjoy a meal at Entretanto. I would love to return and try the 5 o’clock tea meal next time.

The next – and final – Portugal post will have some incredible photos from within Hotel do Chiado, because, as it turns out, the corridor leading to the restaurant had an art collection from a Portuguese-based artist. I’m so excited to share those pictures soon! Until then, take care.

art · beauty · culture · hollywood glamour · luxury

Opulence . . . Because We Deserve It

Here are a few images of the most opulent things I’ve seen in the past week. Just thought I’d share these divine Faberge eggs that I saw at Virginia Museum of Fine Arts. The eggs are exquisite works of art that capture the idealized beauty and fragility of the Russian monarchy. I love that these objects represent the intersection of history, art, and culture. Cheers to opulence and abundance!

art · culture · relaxation

Flowers At The Museum

Hi friends! I know that I missed the Writers Wednesday post yesterday, but since it’s the first couple of days of NaNoWriMo, I don’t have much to say. I’m still figuring out exactly what I want to write, so an entire update post was sort of unnecessary. I figured this paragraph would be more than enough to explain what’s going on. Now, back to the topic at hand …

Recently, I went to Virginia Museum of Fine Art (VMFA) with a group of brand new friends. After enjoying tea in the museum’s garden, we checked out the Fine Art and Flowers exhibition. This was a 5-day long exhibition that featured fresh flower arrangements inspired by some of the museum’s current art installations.

I only wish I had more time to see all of the arrangements (it would take at least two visits to make sure that I saw all of the flowers). But what I saw, I enjoyed immensely. Here are some pictures from the exhibition:

Display in the atrium
Close up of the atrium display
Arrangement influenced by Dragon-Shaped Pendant (artist unknown) by Laura Brooks and Lisa Vawter of the Garden Club of Middle Peninsula, King William County, VA
Arrangement inspired by Deer in Landscapes of Summer and Winter (Mori Kansai) by Helena Arouca and Julie Madden of Ikebana of Richmond, Sangetsu School, Waynesboro VA
Arrangement inspired by Queen Anne of Denmark, Wife of James I (Workshop of Marcus Gheeraerts) by Diane Burgess, River Road Garden Club, Crozier, Richmond Designers’ Guild
Arrangement inspired by Piazza San Marco (Francesco Guardi) by Gladys Lewis and June Hambrick, Leesburg Garden Club, Leesburg VA
Another angle of the arrangement inspired by Piazza San Marco

I saw a few more arrangements but didn’t have the chance to photograph them. The flowers were such a bright, welcome addition to the museum. I didn’t bother getting the map of the locations of all of the arrangements: I preferred to discover them on my own. I loved how it was almost like a scavenger hunt to locate the arrangements! If this year is any indication, then I can comfortably say that the creativity of the floral artists will wow us for years to come. I can’t wait to see the floral arrangements next year!

art · culture

Celebrating the Arts

One of the greatest joys of my life was visiting museums. Prior to 2019, I regularly worked in Washington, DC, which meant that I could easily go to a major museum during my lunch break or after work. I loved walking those corridors and taking in art from all around the world, as well as art that documented the history of America. Nothing was as soothing to me as spending time at the Smithsonian and checking out the latest exhibitions.

However, things changed drastically at the end of 2018. I was unable to walk more than a few feet without getting winded, I could only sleep for an hour or so at a time, and the unrelenting body aches that I experienced left me frustrated and frightened. As someone that was used to being far more active, I was terrified of these mysterious symptoms that took away my basic abilities to navigate the world like I’d previously done. As it turns out, I had fibromyalgia, and I immediately started a telework schedule that would allow me to rest as needed throughout the day. Unfortunately, my condition made traveling to DC absolute torture. So, I had to put my museum mini-trips on hold until my health improved.

I still haven’t gone back to visit the museums in DC, though I have spent some time at my local museum earlier this year (I was thrilled to finally be able to walk around a bit without experiencing excruciating pain). However, it’s National Arts and Humanities Month, and I just want to take a moment to share some of the amazing things happening at the Smithsonian in honor of this month-long celebration.

On October 23rd, the Smithsonian will be kicking off its own craft show. The show will occur virtually, and the theme is Celebrating American Artistry. The crafts featured in the show are created by carefully selected artisans that create work that reflects American aesthetics and sensibilities. What better way to celebrate art than to purchase some for yourself? Interested shoppers can securely purchase items through the Smithsonian platform, adding a layer of assurance for both shoppers and the craftspeople that are involved in the exchange. The event ends on October 31st.

The Arthur M. Sackler Gallery, the Asian art museum within the Smithsonian, is the host of the DC Turkish Film Festival. The films that are featured in this festival are all available online for free, so anyone can enjoy from the comfort of their homes. The films will be available through the Sackler Gallery through October 31st.

The companion to the Sackler Gallery is the Freer Gallery. At the Freer Gallery, the Hokusai: Mad About Painting exhibition is a fascinating dive into the art of Katsushika Hokusai, a Japanese artist that is arguably among the country’s most famous painters. The Freer Gallery has an impressive collection of Hokusai’s work, and anyone interested in learning more about this gifted artist would do well to check out this exhibition. But hurry: it will only be at the gallery until January 9, 2022.

The National Museum of African Art (located just one block from the Free and Sackler Galleries) is currently displaying Heroes: Principles of African Greatness, an exhibition that centers on how art is used to tell the stories of heroism and the traits of effective African leaders. This one is definitely worth checking out sooner rather than later, since the end date for this exhibition is still to be announced. Nothing is worse that postponing a visit and finding out that you mistimed your travel and lost the opportunity to do something that you wanted to do (trust me: it’s happened to me, and it was no fun!)

Finally, the Archive of American Art is hosting the exhibition, What is Feminist Art? This exhibition is a continuation of a discussion that was initiated back in 1976, and some of the same artists that participated in the 1970s also participated this time around. This exhibition promises to be an eye-opening discussion on feminism and how it has changed, or remained the same, over the past 45+ years. This exhibition closes on December 31st.

Would you check out any of these exhibitions? Or, do you have other plans to celebrate National Arts and Humanities Month? I’d love to hear all about it in the comments below!

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The Met Turns 151!

Happy Tuesday, friends! On this day, 151 years ago, the Metropolitan Museum of Art in New York City was granted an Act of Incorporation. This means that today is the Met’s birthday!

Google Doodle commemorating the Met’s 151st birthday

Now, I’ve not been to the Met yet, and, seeing as how I probably won’t be going to New York this year, I can’t say for sure when I will visit. But this impressive museum is on my bucket list, and for good reason. The museum has over 2 million works in its permanent collection and is by far one of the most famous art museums in the United States. As a matter of fact, they have multiple works by my favorite Neoclassicist, Jean-Leon Gerome (you all remember that I wrote about how much I love Gerome’s work in this post and in this one).

However, my admiration of the Met includes a serious criticism. One thing that has made me raise an eyebrow at the Met is the decision in 2018 to start charging $25 for most out-of-state and foreign visitors. The original Act of Incorporation indicates that the Met should be free in perpetuity, but museum president Daniel Weiss decided to break tradition and start charging fees. At first glance, it seems like a shameless money grab (and in many ways, it is), but it’s a little more complicated than that. This decision to charge fees was allowed by the City of New York, in exchange for decreasing the Met’s funding from the city. These funds that are no longer going to the Met have been allocated to increasing “artistic diversity” and will support other facilities that give a platform to more diverse creatives.

However, ever so often, we get to see balanced restored in our world, and what seems like fairness reappears for a brief shining moment (if you know the reference, leave it in the comments!). Yes, the Met collected fees in 2018, 2019, and the early part of 2020. However, COVID-19 reduced the annual visitors from nearly 6.5 million per year to just over 1 million. The loss of revenue has left the museum in the awkward position of deciding whether to deaccession or sell of part of its collection, just to cover their expenses.

I can’t say that I’m not partially amused that greed came back to bite the Met, but my chuckles are tempered by two things. Firstly, this loss of revenue caused 20% of the Met’s staff to lose their jobs (this saddens me tremendously). Secondly, this is even more motivation to keep the admission fees, as the Met will need to build up its cash reserves and avoid becoming insolvent as best it can. Now, I’m sure that the Met will do just fine (I don’t foresee any long-term closures, especially now that there are safe visiting procedures in place). I’m just concerned that COVID-19 may have built a stronger case for admission fees than anything that the museum could have offered in a public statement.

So, today, I’m celebrating the Met, praying that they eliminate the admission fees, and keeping my fingers crossed that I may be able to purchase a Gerome sketch during some sort of auction of the Met’s works. A girl can dream, right?

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Americana Week – Best of Doyle Auctions

Happy Wednesday, friends! For Americana Week, many US auction houses will be presenting incredible items that highlight the craftsmanship and decorating aesthetic of Americans. One of my favorite auction houses, Freeman’s, doesn’t have any auctions scheduled during Americana week this year. So, the last auction house that I will be considering is Doyle Auctions.

Doyle auctions will have only one live, in-person auction event during Americana Week. Doyle at Home won’t have any items that are distinctly Americana-themed, but the luxurious items that are being offered may be of interest to a variety of collectors, including those that specialize in collecting Americana. The sale occurs on January 16, 2019 at 10 a.m. EST.

With nearly 500 lots for sale, selecting just one item out of the group was challenging. But I found myself irresistibly drawn to this painting by Porfirio DiDonna. The untitled painting comes from later in DiDonna’s career. It has more curvature, less symmetry, and less precision than his earlier works. I love how the neutral colors appear to dance against the cool grey background. I may bid on this painting, considering how affordably priced it is. This one has an estimated value between $150 – $250.

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Untitled, 1984, Porfirio Di Donna (1942-1986)

Instead of planning all of the Americana events to occur during the week of January 13th through the 19, Doyle has wisely opened an Americana-themed, online-only auction to start on January 18th. This allows them to keep the Americana theme going even after the week has concluded.

Americana from the Library of Arnold ‘Jake’ Johnson should be an interesting sale but, unfortunately, I can only view one lot from this collection. For that reason, I can’t recommend my favorite item. However, this sale will still be worth checking out:  after all, it’s the last Americana-themed sale for the month.

That concludes my review of Americana week at some of the most popular auction houses in the US. Did you see any items from the previous auctions that you found interesting? Let me know in the comments below I’d love to hear about it!

 

Talk to you all tomorrow!

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Americana Week – Best of Christie’s Auction

In preparation for Americana Week, I did some research on what typically can be found in Americana art. What I found is that there are a lot of items that capture American history and culture, and no, every Americana item doesn’t feature the American flag (or other patriotic themes) or pictures of rural Midwest life, though these two themes are prominent.

Christie’s Auction will be featuring Americana that doesn’t fit neatly into the above mentioned themes, but still has a strongly American aesthetic. The featured auctions will be held in New York, January 16 – 18. There are four auctions that will feature Americana art and highlight some of the jewels that were produced and collected over the past 400 years.

The first auction is Little Cassiobury: The Collection of Susan Lyall, to be held on January 16 at 10 AM EST. The items were formerly owned by Susan Lyall, a garden furniture designer and philanthropist. The collection has over 200 items from Lyall’s personal collection of art and furniture.

My favorite piece from this collection is the William IV brass lantern. Despite being nearly 200 years old, this lantern would still be a charming addition to a lot of different decorative themes.

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William IV Brass Lantern (circa 1835)

Next up is the Chinese Export Art Featuring the Hodroff Collection Part IV. This auction is scheduled for January 17 at 10 AM EST. The items are Chinese in origin but, as you can tell, the fascination with Asian art is distinctly American, to the point where Chinese art can be featured during an Americana-focused auction and it makes sense to knowledgeable collectors! Many American families have extensive Asian art collections and the Hodroffs were no exception: Leo and Doris Hodroff’s collection is featured in multiple museums across the US.

My favorite lot from this auction is A Famille Rose Mancerina. I’d never heard of a mancerina before, but after seeing this beauty, I knew I had to know more. Mancerinas are serving trays designed to hold a container of chocolate. The ornate well in the center is where the chocolate container would have been placed. This isn’t a common household item now, but imagine how nice it would be to own something this historical and charming. It could fetch upwards of $2,500, and I wouldn’t be surprised if it went for much more than that.

Screenshot 2019-01-02 at 2.39.01 AM

A Famille Rose Mancerina (Qianlong Period, circa 1770-1780)

The next auction is spread out over two days – January 17 and 18, at 3 PM and 2 PM EST respectively. The largest of Christie’s Americana auctions, Important American Furniture, Folk Art, Silver and Prints will bring nearly 300 lots to the public. This collection has a plethora of exquisite household items, so it may take you a while to go through all of the offerings.

However, after looking through the entire collection, I kept finding myself returning to look at the American Silver Fruit Bowl. This piece, from Tiffany & Co., has mesmerizing filigree and finely depicted vines, leaves and raspberries. I was surprised to see the estimate go up to only $3,500: I anticipate this one will sell for less, but likely not by much.

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American Silver Fruit Bowl (Mark of William Gale for Tiffany & Co., New York, circa 1860)

The final auction is Outsider and Vernacular Art on January 18 at 10 AM. This auction will feature art with a folksy touch and distinctly American themes. The art reflects different movements, periods of time, and various media. There are also pieces by living artists included in this sale, so there is an opportunity for novice collectors to purchase works when the prices are less prohibitive.

I found myself completely enchanted by Portrait of a Young Girl, 1950s by Morton Bartlett. I’m unsure who the model was for this work, but her facial structure and complexion reminded me of a young girl I know that has albinism. This painting made me think about the albinos in different African countries who have had to flee for their lives for fear of being hunted for their limbs (in Tanzania and Malawi specifically, albinos are fiercely targeted). I’d rather not go into detail about the human rights travesty happening to Africans with albinism, but I couldn’t help but think of them when I saw this painting. The high estimate of this is $8,000, and, if I had the resources available right now, I’d certainly bid on this beauty.

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Portrait of a Young Girl, 1950s by Morton Bartlett (1909 – 1992)

That’s my quick overview of the Christie’s Americana auctions. You can check out the lots by clicking any of the hyperlinks above, and see what items interest you. If you find something that you love, let me know in the comments below. Thanks for stopping by, and I’ll talk to you all tomorrow!

 

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Art and Cryptocurrency: The World’s Simplest Guide

Hi friends! I hope you all are enjoying your Thursday and gearing up for a fantastic weekend.

I’ve just finished attending my umpteenth blockchain and cryptocurrency webinar (by now, I should be an expert!) and I’m finally starting to make a clear connection between the art world and cryptocurrency. This has been an area of interest since I wrote a blog post a few months ago about trends that will drastically change the art world, and the first trend that I listed was cryptocurrency.

For those that are unfamiliar with cryptocurrency, there are many great online guides but one of the simplest definitions I got was from Mario Costanz and his team over at Crypto Tax Academy. He described the process of trading cryptocurrency as an exchange of value between peers, defined between the peers, as opposed to the value being set by a third entity (as is the case with fiat currency). I won’t spend too much time explaining this in depth because they do it much better than I can, though they are clearly explaining this from the tax obligation perspective.

bitcoin

I also read this fantastic 3-series article by Tim Schneider over on Artsy. Part 1 gives a great overview to what blockchain and cryptocurrency is. Part 2 gives a great case study in how forward-thinking artists (and, by extension, collectors and gallerists) can participate in a cryptocurrency structure. Finally, Part 3 proposes three major issues in the art world that cryptocurrency technology could solve.

Here’s where my simple interpretation comes in: for the sake of taxes and income recognition, cryptocurrency is an asset just like art. And investing in art using cryptocurrency is similar to bartering goods and services: both sides must determine the fair market value and both sides have to recognize the exchange as a taxable event. If you’re curious about how virtual currency is defined by our current government, you can read this 2014 IRS notice (no new guidance has been issued as of today’s date). Looking at cryptocurrency like an asset, instead of viewing it as fiat money, can help a lot in understanding what it is and how to work with it.

I’m going to be learning more about this in the upcoming year, but I hope my mini-guide was helpful, and I also hope that the linked articles provide some additional clarity. Cryptocurrency is here to stay, so the more we know, the better off we are.

Thanks for stopping by, and I’ll talk to you all soon!

 

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Art Basel Miami 2018: Beginner’s Guides from All Over the Web

Happy Sunday, friends! I’m currently watching snow fall outside of my window (an unseasonably early snowfall for central Virginia) and wishing I had made the trek to Art Basel in Miami! 81 degree temperatures sound like heaven right now!

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I couldn’t make the trip but I’m living vicariously through the videos I’ve seen and articles I’ve read about the event. If you too couldn’t attend, here are some of my favorite Art Basel Miami guides for this year. Enjoy!

Here’s a basic guide for those new to Art Basel:

And here is an etiquette-specific guide for newbies:

A recent article by Vox provides a great written summary of what to expect from Art Basel Miami 2018. I sometimes find it helpful to have a written guide that I can compare with audio/video information and that I can scribble on to capture additional notes.

Do you have any Art Basel guides to share? Please feel free to post them in the comments below!