In the second episode of Think Like an Art World Expert, host Glen Hardwick-Bruce interviews Anakena Paddon, Studio Manager for Kevin Francis Gray. Paddon explained her role in the studio as handling many of the operations and logistics details so that the artist is free to focus on creating works. I really loved this interview because Paddon distinguished her role from that of a personal assistant (a role often confused with studio management).
Paddon describes her role as involving a great deal of coordination between Gray’s UK and Italian studios, as well as serving as a representative for the studios when interacting with other entities (such as galleries and interested collectors). She also worked tirelessly on creating the uniform social presence that Kevin Francis Gray studios now enjoys online.
A peek inside of the studio as Gray works
I love the many facets that Paddon outlines in her role, and I will listen to this one again and take good notes! Definitely check out the podcast, or, if you’re interested in learning more about the studio, check out Kevin Francis Gray either on the website or on Instagram.
In the inaugural episode of Think Like an Art World Expert, host Glen Hardwick-Bruce interviews Nico Epstein, partner and director of Artvisor. Artvisor brings the world of art advisory to the internet, blending the best that the web has to offer by way of location independent advisory services with traditional brick-and-mortar art offerings (such as occasional in-person viewings).
On the podcast, Epstein describes his background in the Arts, as well as his career path post-college. He didn’t hold back in describing the closed-off nature of the art world. He identified his own competitive advantage – specifically, several family members (including his mother) who had successful careers as art academics and commercial gallery management. What I’m really enjoying about this podcast is how the host made sure to ask specific questions about the career path and tips that the guest has to offer the listening audience. Hardwick-Bruce asked some pointed questions that would be a great starting point for anyone interested in entering the online art advisory field.
Photo from Epstein’s interview with Hardwick-Bruce
Epstein also didn’t disappoint when it came to giving tips about how to succeed as an art advisor. I really appreciate it his transparency when describing his experiences as a gallerist and an advisor. This interview was a great length – right around 20 minutes – and stuck to the pertinent information regarding Epstein and his career path.
Great first episode, Christie’s Education! I’m so looking forward to the next one! You all can keep up with Nico Epstein by following his Instagram account, or by following Artvisor’s Instagram page.
Happy Tuesday, beloveds! I’m enjoying these glimmers of summer that will be happening this week, as I’m still a bit resistant to the beginning of fall. I’ll get on board eventually, but for now, I’ll savor whatever warm weather I can get!
In the past, I did the Collector Conundrum series, where I considered different issues regarding the world of art collecting. This is a sort of addendum to that topic: not directly related to the conundrums discussed but a little something to consider. I recently read this article on Angela Bassett curating an art show for Band of Vices Gallery in Los Angeles, CA. I thought about the appeal of a major celebrity, personally selecting artwork that she found interesting, impactful, and meaningful. It occurred to me that the celebrity curator could be a magic bullet for some of what’s ailing the art world.
Angela Bassett, actress and first-time art curator (photo courtesy of Instagram)
There will always be art collectors, enthusiasts, dealers, etc.,. However, the inclusion and integration of younger collectors has been challenge for some art institutions, especially in this age that emphasizes minimalism and location independence. With the prominent shift away from excess and a prioritization of living with less, art ownership is still prestigious but not as alluring to many young would-be collectors.
But the celebrity curator is a fascinating draw for museums and galleries: the collaboration can be good for the institutions as well as the celebrity. Institutions get a fresh vision from an individual that is probably very similar to many potential collectors (people that probably purchase art using their personal taste and amateur-to-intermediate level knowledge); celebrities get the chance to express themselves in a new way, meet new people that share their interests, and support cultural institutions in a substantial way.
Personally, I’m excited to see what other celebrity curators arise in the upcoming years. I’d also be interested to see how many galleries and museums see a rise in sales and visitors due to these celebrity-curated exhibits. This could be a great opportunity to leverage current tastes into museum and gallery success. I hope that these institutions explore and take advantage of celebrity curator opportunities in the future.