art

New Exhibitions Coming to Washington DC

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Happy Thursday, friends! Before we welcome the month of June, I thought you all might enjoy a list of some of the exhibitions coming to DC during the month. Have fun planning your museum trips! I know that I will.

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Kreeger Museum, June 5 – July 31, 2018: The art for this exhibit is coming from the Museum of Art, Architecture, and Technology (MAAT) in Lisbon. This museum is fairly new: it opened to the public in October 2016.  This is a special exhibition because it is the first group exhibition of 21st century Portuguese art of the 21st century to be presented in the United States.

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Fabergé piece on display at Virginia Museum of Fine Arts

Hillwood Estate, Museum and Garden, June 9, 2018 – January 13, 2019: As a lover of all things bejeweled and antique, Peter Carl Fabergé’s work is an eternal fave. So I won’t miss this exhibition at Hillwood Estate, Museum and Garden in DC.  Fortunately, this exhibit will be here for several months, so if you can’t make it this summer, you have until early 2019 to visit and check it out.

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Daguerrotype of Louis Daguerre, one of the fathers of photography

National Portrait Gallery, June 15, 2018 – June 2, 2019: The National Portrait Gallery (NPG) will be exhibiting daguerrotypes collected over 50 years. This early form of photography was the predecessor to photography as we know it today. The collection has some very famous faces, like P. T. Barnum and Matthew C. Perry, within it. The museum is celebrating it’s golden anniversary this year, so you can bet that there will be a lot of great exhibits throughout the year. 

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Smithsonian Folklife Festival

National Mall, June 27 – July 1, 2018; July 4 – 8, 2018

June ends on a strong note with the Smithsonian Folklife Festival. This year’s festival will highlight Armenia, Catalonia and the Sisterfire Concerts. It’s technically not an art exhibition, but if you’re in the area, you can’t miss the festival. This is always a great opportunity to take in international culture over several days.

art · travel

Review: Philadelphia Museum of Art, Part 1

No trip to Philadelphia would be complete without a trip to the Philadelphia Museum of Art. This two story incredible museum has many treasures, but is probably best know for the exterior stairs that were featured in the infamous scene of the movie “Rocky”, where Sylvester Stallone does his boxing training by running up and down the steps.

If you want to run up the steps, help yourself, but once you get to the top of the staircase, be sure to go into the museum and buy a ticket, then take a leisurely stroll through the corridors as you soak up the rich art history around you.

I’m breaking my photos into two or three separate posts, because it takes a bit of time to write up the artist information under each picture. I’m also a little disappointed that I only got to view the bottom level of the museum: on this trip, time was not on my side. But that’s okay, because I plan to return. And when I do, I’ll have more time. In this post, I’ll share the most humorous pieces from the “Biting Wit and Brazen Folly: British Satirical Prints, 1780s–1830s” exhibit“Biting Wit and Brazen Folly: British Satirical Prints, 1780s–1830s” exhibit, on display until August 22.

I’m delighted to also mention that my ticket was complimentary because I am a member of the Virginia Museum of Fine Arts at the Partner Level (you can also get reciprocal privileges at several major metropolitan museums, as well as the North American Reciprocal Membership and Reciprocal Organization of Associated Museums, at the Supporters level).

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The museum exterior

Statue outside of the Philadelphia Museum of Art

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The famous Diana statue inside the museum

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The Gout by James Gillray

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A Peep at Christies or Tally-ho & His Nimeny-pimeney taking the Morning Lounge by James Gillray

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The description next to A Peep at Christies was almost as interesting as the cartoon itself!

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The Blue Devils by George Cruikshank

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An explanation of what the “blue devils” are

Look out for more photos from my day at Philadelphia Museum of Art in the upcoming days. Enjoy!

art · life curation

A Day at NGA

A couple of weeks ago, I had a free afternoon and I was feeling artsy (to be honest, I can’t think of a time when I’m NOT feeling artsy). So I took a stroll to National Gallery of Art (NGA) to check out the exhibits. It’s been nearly two years since my last visit, so I was overdue.

Tomorrow’s post will be “heavier”, as far as subject matter goes, so today, I’m taking it light and easy. Here are a few photos from my last visit to NGA. This post features a few of the sculptures that I saw at the museum. Enjoy!

Nymph and Satyr by Edward McCartan (1920)

This satyr is nothing but trouble! Look at how he’s looking at the nymph.

Play coy, little nymph! Maybe that naughty satyr will leave you alone.

Justice by Barthelemy Prieur (1610)

It’s hard to believe this lovely lady is over 400 years old! It was completed the year before Prieur’s death.

I had to do some research on this one: I’d never heard of “zephyr” before.

A Garden Allegory: The Dew and Zephyr Cultivating Flowers by Benoit Massou, Anselme Flamen and Nicolas Rebille (1683/1732)

This beautiful woman depict dew, the gentle moisture found on vegetation in the morning hours.

The charming little cherub next to Dew is Zephyr, the soft gentle breeze that can be felt on a pleasant spring day

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A Day at Freeman’s Auction, Part 2

After enjoying a fun first day at Freedman’s Auction, I was eager to return the next day for the actual auction.

I arrived just after bidding started and I went to Client Services to retrieve my paddle. The young woman that assisted me the day before recognized me and grabbed my paddle and a form for me to sign before I started bidding. Once the form was signed, I returned to the main room where the auction was being held.

Ooh, what fun I had! It was amazing to see how high some of the prices would go! I couldn’t help but think about how this collection – carefully assembled, with pieces loved and well worn – would soon be parceled out and sent to new homes, to become beloved pieces in different collections. There were so many people eager to make these lots part of their own personal collections; it’s just a testimony to the lasting good taste of Dorrance “Dodo” Hamilton (the original owner of the pieces).

And my beautiful platinum bow brooch? I didn’t get it. I’m not disappointed: I’m sure that the right piece will come along at the right time. I’m also sure that someone will absolutely LOVE it when they get it and see that beauty in person (a bidder on the phone was the lucky winner). It’s a treasure that I’m positive will be going to a good home where it will be loved and cherished.

My time as Freeman’s was so much fun! I’m already planning to attend again, but next time, my budget will be much bigger, and I will have a winning bid!

That’s all for my experience with Freeman’s Auction. I hope you all enjoyed, and have a Happy Wednesday! Talk to you all tomorrow!

art · luxury

A Day At Freeman’s Auction, Part 1

As you all know, I went to Philadelphia a few days ago. I didn’t just go for the sake of having a getaway (though I desperately needed a getaway!). I went to attend an auction at Freeman’s, the oldest auction house in the United States. Freeman’s has been in business over 200 years, and they find new homes for all sorts of treasures.

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The star of the auction, sold for $802,000

I stopped by on May 8th to view the items to be auctioned on May 9th (you have to come at least the day prior to an auction in order to view and inspect items to be sold). The auction I planned to attend was the sale of jewelry and accessories previously owned by billionaire heiress Dorrance “Dodo” Hamilton. 

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I had my eye on one piece in particular: a platinum and diamond brooch shaped like a bow. I figured I would bid on it if the price was right but I needed to check it out first. The staff in the display room was friendly and professional. I was given information on how to bid and I stopped by Client Services to drop off my bidder registration form. Again, the staff in the Client Services office was friendly and professional.

 

The object of my affection

Freeman’s is a throwback to bygone years (they have an elevator with an actual elevator operator!) but it’s fascinating to see how they’ve managed to blend the past and the current day. The same building with an elevator operator has huge monitors so that bidders can see the items being auctioned as well as online bidding capabilities.

In Part 2 of this post, I’ll discuss the actual auction and the outcome. Talk to you all soon!

art · culture

Current Issues and Hot Topics in Art

Obligatory art photo: Mary Ellison Embroidering by Mary Cassatt (1877), at the Philadelphia Museum of Art

This will be a super-quick post: I’m going to be busy this weekend, with spending time at the embassies and enjoying Mother’s Day with my loved ones. I’m going to compile a few of my favorite posts about current issues and hot topics in the arts that you can peruse at your leisure. Enjoy your weekend!

DC’s Plan to Promote Arts and Culture: What It’s About, and How Local Artists Feel About It

All About Fort Street Studio’s Latest Collection

The Newly Re-Named Massey Klein Gallery (Ryan Massey is an alum of Old Dominion University, my alma mater. Go Monarchs!)

ArtLeadHer’s Latest Exhibition, Senses and Perception

I hope you all take some time to read up on some of the latest happenings in the art world, as well as visit a museum or support some other cultural institution this weekend. Have a great Saturday!

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Art Auction: Art from Africa, Oceania and the Americas

I hadn’t recently posted about any auctions (partially because I’ve been working on a juicy post all about auctions just for you all!) but I came across this one and I had to share.

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Some of the lots offered at Sotheby’s upcoming auction

Sotheby’s is auctioning off some extraordinary art from Africa, Oceania and the Americas (specifically, ancient Mesoamerica and North America). These lots are not just decorative objects: they are ancient artifacts that bridge the collector to faraway (both in the sense of time and distance) worlds.

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This totem pole from southeast Alaska is estimated to command up to $350,000 at auction

The auction features 90 lots, expected to fetch from $2,000 on the lower end to upwards of $350,000. This wide range of estimated selling prices guarantees that this auction will attract a variety of collectors.

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 A Maori nephrite pendant is estimated to command a price upwards of $50,000

My favorite piece of the auction is the Yoruba Altar Emblem from Nigeria. It isn’t the most expensive piece of this auction, but the colorful detailing, as well as the connection to the orishas, fascinates me.

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Yoruba Altar Emblem for Oko, Nigeria

The event will be held on May 14 at 10:30 AM, at Sotheby’s New York location (1334 York Avenue, New York, NY). All items can be viewed prior to the sale (10 AM to 5 PM Monday – Saturday, 1 PM to 5 PM on Sunday) so that you can experience these artifacts in person.

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Howardena Pindell – A Lifetime of Creation

A few weeks ago, I attended a lecture on contemporary abstract artist Howardena Pindell. Pindell’s video, Free, White and 21, was my introduction to her work. I saw the video as part of my online art course through Coursera. I found the video fascinating and have always been curious about the woman behind it.

Pindell’s work will be making a stop at Virginia Museum of Fine Art (VMFA) in August 2018. The work is part of her “What Remains to Be Seen” tour, an exhibit reflecting upon Pindell’s 50+ year career. Artists like Pindell, Betye Saar, Lorraine O’Grady and Senga Nengudi inspire me for their daring and provocative work and their insistence upon carving a space for Black, avant garde conceptual artists. Pindell’s work is thought provoking and highly detailed: it features a great deal of precision, texture and movement, all of which enhance the viewer experience. I’m looking forward to experiencing her art when it comes to VMFA!

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(photo courtesy of Nathan Keay, Museum of Contemporary Art, Chicago)

 

You can watch Pindell’s stirring reflections in Free, White and 21 here (or you can just click the play button below):

 

art · international

That One Time in Beijing . . .

I mentioned my China travels in passing since I’ve had this blog, but since it’s almost the two year anniversary of that trip, I wanted to take a stroll down memory lane.

In Spring 2016, I spent two weeks doing a tour of China as a graduation gift to myself. I visited Beijing, Hangzhou and Shanghai. I fell head over heels for Hangzhou: I loved idyllic West Lake and all of the luxury experiences you could have in the city. That doesn’t mean I didn’t enjoy Beijing or Shanghai: I loved them, too! But there was something so tranquil about Hangzhou: it was a relaxing location.

Anyhoo, Beijing was full of history (yes, I visited the Great Wall, Tiananmen Square and the Forbidden City) and I enjoyed touring around and going to different shopping “hubs” here and there. Shanghai is great for shopping and had a fast-paced city feel that I found thrilling.

Here are some of my favorite photos from my China adventure. I can’t wait to return!

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Tiananmen Square and the Forbidden City

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The Great Wall of China

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Beijing National Stadium

Hangzhou

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West Lake – Lin Ying Temple and Buddha statues

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Hefang Old Street

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Tea plantation (I bought longjing tea there)

Shanghai

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art · life curation

5 Lessons from Amy Sherald, An American Success Story

A few months back, the official portrait of former First Lady Michelle Obama was unveiled and put on display at the National Portrait Gallery. The painter, Amy Sherald, quickly became a household name, as her unique portraiture captivated art appreciators and stirred discussion on what makes an “acceptable” political portrait.

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Michelle Obama as portrayed by Amy Sherald (I took this photo a few weeks ago)

But today, I’m not talking about whether Sherald’s painting was aesthetically pleasing or suitable for a First Lady (though, after seeing it in person, I agree that it is both beautiful and a fitting tribute to Mrs. Obama). I want to talk about Sherald and what makes her the ultimate American success story. Here are five lessons we can learn from Amy Sherald:

  • Be committed to your craft.

Sherald studied art in her undergraduate and graduate years. Before committing to art school, she practiced her craft daily and participated in arts camps during the summer. Much like Sherald, if you want success, you have to be committed to your craft

  • Seize as many opportunities as you possibly can.

Sherald apprenticed for art historians, curated for museums abroad, and she also lived and studied in Norway, China and Panama. She didn’t let distance keep her from seizing opportunities that brought her closer to her dream. Likewise, the opportunities we need are rarely in our own backyard: we have to seize them wherever they are, even if that takes us around the world and away from everything familiar.

  • Don’t allow discouragement to distract you.

Despite Sherald’s immense talent, her family wasn’t particularly supportive of her decision to be a full-time artist. In fact, it wasn’t until she won the Outwin Boochever Portrait Competition that her mother view art as a viable career for Amy. Our loved ones mean well, but we may have to “tune out” their well-meaning advice that doesn’t bring us closer to what we want.

  • Be courageous enough to choose discomfort in service to your vision.

Sherald herself mentioned that she chose “discomfort” in order to create art that inspires. Discomfort means that we sacrifice certainty for the possibility of realizing our highest selves. Try a little discomfort to help you make strides toward your goal.

  • It’s never too late to be what you envision yourself to be.

Sherald was 42 when she won the Outwin Boochever Portrait Competition. Dreams aren’t just for the young and wide-eyed: consistency and focus will bring you the success you desire, even if it’s a little later than you expected. By consistently following the previously mentioned steps, you’ll be prepared for your “big break” whenever it comes along.

Have you had a chance to check out Amy Sherald’s work? Let me know in the comments below!