art · life curation

5 Lessons from Amy Sherald, An American Success Story

A few months back, the official portrait of former First Lady Michelle Obama was unveiled and put on display at the National Portrait Gallery. The painter, Amy Sherald, quickly became a household name, as her unique portraiture captivated art appreciators and stirred discussion on what makes an “acceptable” political portrait.

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Michelle Obama as portrayed by Amy Sherald (I took this photo a few weeks ago)

But today, I’m not talking about whether Sherald’s painting was aesthetically pleasing or suitable for a First Lady (though, after seeing it in person, I agree that it is both beautiful and a fitting tribute to Mrs. Obama). I want to talk about Sherald and what makes her the ultimate American success story. Here are five lessons we can learn from Amy Sherald:

  • Be committed to your craft.

Sherald studied art in her undergraduate and graduate years. Before committing to art school, she practiced her craft daily and participated in arts camps during the summer. Much like Sherald, if you want success, you have to be committed to your craft

  • Seize as many opportunities as you possibly can.

Sherald apprenticed for art historians, curated for museums abroad, and she also lived and studied in Norway, China and Panama. She didn’t let distance keep her from seizing opportunities that brought her closer to her dream. Likewise, the opportunities we need are rarely in our own backyard: we have to seize them wherever they are, even if that takes us around the world and away from everything familiar.

  • Don’t allow discouragement to distract you.

Despite Sherald’s immense talent, her family wasn’t particularly supportive of her decision to be a full-time artist. In fact, it wasn’t until she won the Outwin Boochever Portrait Competition that her mother view art as a viable career for Amy. Our loved ones mean well, but we may have to “tune out” their well-meaning advice that doesn’t bring us closer to what we want.

  • Be courageous enough to choose discomfort in service to your vision.

Sherald herself mentioned that she chose “discomfort” in order to create art that inspires. Discomfort means that we sacrifice certainty for the possibility of realizing our highest selves. Try a little discomfort to help you make strides toward your goal.

  • It’s never too late to be what you envision yourself to be.

Sherald was 42 when she won the Outwin Boochever Portrait Competition. Dreams aren’t just for the young and wide-eyed: consistency and focus will bring you the success you desire, even if it’s a little later than you expected. By consistently following the previously mentioned steps, you’ll be prepared for your “big break” whenever it comes along.

Have you had a chance to check out Amy Sherald’s work? Let me know in the comments below!

art

Smithsonian Highlights – April

Hey friends! As you all know, it’s hard for me to stay out of the Smithsonian’s museums, because 1) I work right by several of them and 2) I’m addicted to art exhibits. I figured I would create a list of some of the Smithsonian’s highlights for the month of April. If you’re planning a trip to DC, or you are already in the area, here’s some of the must see/must do activities hosted by the Smithsonian Institute. 

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DIANE ARBUS: A BOX OF TEN PHOTOGRAPHS exhibit opens on April 6 at Smithsonian American Art Museum (SAAM). Arbus is credited as being the artist that elevated photography into a “serious” art discipline. Her photos bridged reality and artistry, and SAAM has a exhibit for us to enjoy for the remainder of 2018.

Marlene Dietrich: Dressed for the Image : I talked about this exhibit in this post. It will be leaving National Portrait Gallery (NPG) on April 15, 2018. You won’t want to miss this stunning and stirring photos of Dietrich. For those that don’t know, NPG is housed in the same building as SAAM, so from April 6 to April 15, you can check out A Box of Ten Photographs then swing by Dressed for the Image without missing a beat.

GALLERY EXPERIENCE: SLOW ART DAY April 14, 2018, 10:30 AM5:00 PM at the Hirshhorn Museum (and at pretty much every museum nationwide) If you can, stop by any art museum on April 14th to participate in Slow Art Day where, instead of rushing through the exhibits trying to absorb a little of everything, you can take your time and enjoy the art for the perspective-broadening experience that it is.

If this quick summary of the Smithsonian’s juiciest exhibits has been helpful, then I’ll be sure to make it a regular feature. Hope you enjoy!
art · life curation

Art Synchronicities

 

When I went to the National Portrait Gallery to view the Marlene Dietrich exhibit (you can read all about it here), I got a bit of a surprise. While walking around and trying to find Marlene, I came across a painting that stopped me in my tracks. You can see the painting below:

This painting is the very same one that was my most likely doppelganger, per the Google Arts & Culture app (you know, that app that I wrote about a while ago). Of course, on the app, the painting is listed as being at the High Museum of Art in Atlanta, GA. However, it is currently at the National Portrait Gallery, as part of The Sweat of Their Face: Portraying American Workers exhibit. I’m pretty sure that the painting will return to the High Museum in September, when the exhibit draws to a close.

I examined the painting and found myself smiling. The vivid colors can’t be captured via camera: it must be experienced in person. The focused gaze, the high cheekbones, and the richly hued skin did, oddly enough, remind me of myself. Of all of the paintings to make it to this exhibit, this one made the cut. And of all of the museums I could visit in DC (and there are PLENTY), I ended up at the National Portrait Gallery. And this painting had an entire wall to itself, so I couldn’t miss it as I walked to the Dietrich exhibit. I figure it was meant for me to see it. Oh yes, and here is the photo that convinced Google Arts & Culture that I am Alma’s incarnate:

I’m delighted that I got to see this painting: as always, art is best experienced in person. This is one of several portraits depicting the working class in the first half of the 20th century. I encourage you all to go and experience the exhibit for yourself, if you have the chance!

culture · hollywood glamour

Hollywood in DC – the Marlene Dietrich: Dressed for the Image Exhibit

One of the greatest perks of working in Washington, DC is being able to visit the Smithsonian Institute whenever I have a little time. During one of the unseasonably warm days that we experienced last week, I felt inspired to go to one of the museums during my lunch break.

I decided to stop by the National Portrait Gallery, since it’s close to my job and I haven’t been there in years. The Kogod Courtyard used to be my favorite place for eating lunch.

This time, however, I didn’t come to eat lunch. I was there to view the Marlene Dietrich: Dressed for the Image exhibit. I’m a fan of Dietrich’s work and how she lived an unapologetically authentic life off-camera. I came for the photos but stayed for the story of Dietrich’s life.

The brochures available for visitors have a beautiful, dramatic photo of Dietrich on the cover.

This striking white pantsuit was so intimidating to the French that Dietrich was threatened with arrest if she dared wear it on land.

Those threats of arrest were empty: Dietrich wore a different pantsuit when disembarking the Europa and was greeted with flowers from the French police.

Dietrich as Catherine the Great in The Scarlet Empress (1934)

Her undeniable acting talent, her anti-Nazism stance, and her consistent image maintenance throughout her career made Marlene Dietrich a star. However, it’s her legacy of living life on her own terms that make her an icon.

I highly recommend that you check out this exhibit if you’re in the Washington, DC area. It will be at the National Portrait Gallery (8th and F Streets, NW, near Chinatown) until April 15, 2018, so get there as quickly as you can!