Tag: art collector

art

Art Auction: Art from Africa, Oceania and the Americas

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I hadn’t recently posted about any auctions (partially because I’ve been working on a juicy post all about auctions just for you all!) but I came across this one and I had to share.

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Some of the lots offered at Sotheby’s upcoming auction

Sotheby’s is auctioning off some extraordinary art from Africa, Oceania and the Americas (specifically, ancient Mesoamerica and North America). These lots are not just decorative objects: they are ancient artifacts that bridge the collector to faraway (both in the sense of time and distance) worlds.

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This totem pole from southeast Alaska is estimated to command up to $350,000 at auction

The auction features 90 lots, expected to fetch from $2,000 on the lower end to upwards of $350,000. This wide range of estimated selling prices guarantees that this auction will attract a variety of collectors.

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 A Maori nephrite pendant is estimated to command a price upwards of $50,000

My favorite piece of the auction is the Yoruba Altar Emblem from Nigeria. It isn’t the most expensive piece of this auction, but the colorful detailing, as well as the connection to the orishas, fascinates me.

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Yoruba Altar Emblem for Oko, Nigeria

The event will be held on May 14 at 10:30 AM, at Sotheby’s New York location (1334 York Avenue, New York, NY). All items can be viewed prior to the sale (10 AM to 5 PM Monday – Saturday, 1 PM to 5 PM on Sunday) so that you can experience these artifacts in person.

art

My Earliest Art Memories

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Happy Humpday! It’s the middle of the week, and I figure we could all use some light and breezy conversation. So I’m sharing my story – as best I can remember it – of my earliest art memories.

So, once upon a time, information wasn’t abundant and instantly at our fingertips. Way back before the Internet, there was the Encyclopedia. These massive tomes covered a ton of topics and every household that could afford them had a set. We had three sets, because as the information became outdated (these were print materials, after all), we had to occasionally replace them. One set that we had – the largest version – had spectacular photos. In this collection, I first became introduced to the fine arts.

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Ah, memories

Now, I was surrounded by art all of the time. My mom had a creative streak and my brother and I both sketched. But it wasn’t until I saw a painting in the encyclopedia that I knew that there was something very special about art. It impressed me so much that I remembered the name of the artist and the painting, more than 20 years after I first laid eyes on it.

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Portrait of Comtesse d’Haussonville by Jean-Auguste Dominique Ingres took up nearly a whole page of the encyclopedia volume that I was perusing as a child. The countess appears to be looking directly at you, sizing you up but not in a disapproving way. She seems to be peering at you to figure out if she can share a confidence or two with you, or if she should refrain from chatting too much. She seemed so real, though I knew she was a painting of someone that died long before anyone that I knew had even been born.

Her strikingly elegant and self-possessed expression stuck with me all of these years. I guess you could say that this was the first time that art impacted me in a conscious way (though it was my encounter with a Gerome painting that first stirred any sort of strong emotion in me). It’s funny: after all this time, I’m still wondering if the Comtesse approves of me. Art has a peculiar way of making you think for years after the first encounter. Great art is memorable in the way that most of us strive to be in our daily lives.

That’s it for now. I hope you all enjoyed this post, and I hope that this Wednesday is fun and energizing for you all. Take care!

 

art · luxury

Art Collectors Conundrum: Unpredictability

Mstldelano2 Comments

In the Art Collectors Conundrum series, we continue to explore some of the topics of interest for inexperienced art collectors/appreciators or aspiring art world professionals. Instead of simply noting the issue at hand, we ponder some ways to mitigate some of the invisible barriers of the art world.

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(all photos by James Van Der Zee)

One of the biggest stumbling blocks on the road to art connoisseurship is unpredictability within the art market. Many would-be collectors are unnerved at the thought of investing significant amounts of money into art, only for that art to potentially never appreciate in value.

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Here’s the problem with that logic: it assumes that art is purely an investment, when, in fact, art, is a tangible item that can be enjoyed now while also possibly growing in monetary value in the future. Let’s face it: we choose to invest in different things all of the time. We invest in our homes, our cars, our personal appearance, our careers, and our families. Many of these things are depreciable assets (cars will lose value, we won’t look 22 forever). However, art is one of the few investments that can be potentially monetized at a future date, though you can enjoy it right now, while you own it.

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The key to weathering the unpredictability of the art resale market? Only purchase art that you completely enjoy NOW. As a new collector, there’s no need to speculate about how much the art will be worth in the future if you’re enjoying the art right now, as it hangs on your wall or stands in your living space (in the case of sculptures).

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There’s no concern over how a piece will appreciate if you’re “appreciating” the piece right now, as it holds space in your collection. Focus on purchasing the art that moves you, the art that lights you up or makes you stop and think. Only buy the art that invokes feelings in you. Then, no matter what the art is worth today or tomorrow, you will have enjoyed it and you will have gotten immeasurable value from it right NOW.

(all photos courtesy of the Virginia Museum of Fine Arts digital exhibit, The Black Photographer’s Annual, Volume 1)

 

art · international

More Kenyan Artists to Check Out

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As an aspiring art professional, I always have an eye out for unique art wherever I go. I am a sucker for the classics, but I get a thrill out of finding contemporary artists that appeal to my personal tastes.

While in Kenya, I visited the Nairobi National Museum but I couldn’t take pictures in the photo gallery, as those pieces were for sale. However, I found myself “oohing” and “aahing” too much to just look at the paintings and walk away. So I jotted down the names of the artists and decided to look them up when I got home. I’m glad that I did, because now I can share these talented creators with you all!

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A photo from The Next Gen Exhibition featuring Kenyan artists (photo from Artleeyo)

As it turns out, the many of the pieces featured in the Nairobi National Museum were done by local graffiti artists. The main three artists featured in the gallery – Kaymist4, Thufu B, and Msale – have formed a street art group named the Bomb Squad Crew. Their art is featured on the website BSQArt.com.

Work by Kaymist4

I had problems viewing the pages of the website, but I’m not sure if that is because the website has portion under construction or because I’m located outside of Kenya. In any case, you may have more success in navigating the website. I’m still researching the best way to purchase some of their pieces.

Work by Msale

 

Two more artists that were featured were Ssali Yusuf  (who is actually Ugandan, not Kenyan) and Remy Musindi.  Both artists skillfully use color, though Musindi’s color choices tend to be more subdued, while Yusuf’s are more saturated and crisp.

Piece by Remy Musindi

The trend I noticed in the artwork that I saw was vivid rendering of the female form. A focus on portraying the beautiful faces of African women is a common theme in Kenyan art. As an art lover that prefers portraiture over landscape and abstract paintings, I can appreciate the theme.

If you are interested in buying art online, I highly recommend that you use a reputable third party to handle the transaction, even if the purchase is relatively inexpensive. Galleries like Artspace, Saatchi Art and UGallery specialize in connecting artists with collectors, and they can work out details like shipping and proper framing. You can find more more online galleries through this link.

art · luxury

Art Collectors Conundrum: Culture Clash

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As explained in previous posts, Art Collectors Conundrum explores the current issues surrounding art collecting. There are a lot of different issues that impact new collectors as they journey into the art world, and one of those big issues is the dissonance that exists between aesthetic indulgences and minimalist ideals.

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Betye Saar, Blow Top Blues, The Fire Next Time (1998)

The thing is, the culture of today’s wealthy – especially wealthy millenials – leans more toward minimalism and less toward acquisition of material goods. Any time spent on social media will confirm the “shift” from a culture of excess to one of spartan decorating practices. Many millenials favor the bare walls and monochrome decor that makes for clear, appealing Instagram photos. And, if they select art, the art often lacks the color, texture and excitement that used to be favored by collectors.

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Betye Saar, Indigo Mercy (1975)

In short, this cultural clash results in fewer “new” big spenders. Bloomberg wrote about the “new elite” and their artistic tastes. The article points out that location has much to do with the cultural difference, too: East Coast “new money” tends to buy art in the more traditional fashion, while West Coast “new money” isn’t as interested in purchasing pricey art “for arts’ sake”.

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Betye Saar, Twilight Awakening (1978)

The key to luring in these potential art investors isn’t as simple as one would think. The most important thing to remember about the new wealthy is that they are earning their fortunes much earlier than the wealthy of previous generations. They just aren’t as likely to be focused on art collecting if they are buying their first homes and starting families.

An interesting way to get the new wealthy interested in collecting could be an art loan program, which allows them to enjoy works for a fixed period of time and then they can purchase the work if they want, or turn it back over to the gallery to “try out” something different. It isn’t a perfect solution but it would provide them with some exposure to fine art and would help them hone in on their personal tastes and preferences.

Those are some of my thoughts on overcoming the dissonance between minimalist goals and owning art. What are your thoughts? Feel free to share your comments below!

(all art by Betye Saar and in the National Gallery of Arts collections)

life curation

Do You Know Your Black Art History?

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In honor of Black History Month, I want to share some of my favorite Black women artists. These gifted creators established themselves during a time when most Black women were relegated to the roles of maid, cook, or caretaker. I love that these women dared to share their gifts and provide a diverse representation of Black womanhood.

Because I’m a geek for 3-dimensional art, I’m focusing on Black women that created sculptures. At one point, I was interested in sculpting as a profession: I even competed in art contests (and won a prize to boot!) So today, I’ll provide a list of notable Black sculptresses and then I’ll include some photos of their most famous works. There are literally too many of them to write mini-bios for each, but please take the time to check out a few of them. Their stories and their works are fascinating.

Tina Allen

Camille Billops

Erlena Chisolm Bland

Selma Burke

Fern Cunningham

Meta Vaux Warrick Fuller

Ruth Inge Hardison

May Howard Jackson

Harriet Forte Kennedy

Edmonia Lewis

Winnie Owens-Hart

Alice Patrick

Nancy Elizabeth Prophet

Augusta Savage

Beulah Woodard

Here are some of my favorite works by a couple of the artists above (I’m skipping Edmonia Lewis because I featured her in my Current Favorite App post, that I’m sure you all read and enjoyed):

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George Washington Carver, by Tina Allen (In the Missouri Botanical Garden)

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Bust of an Ethiopian Woman by Tina Allen

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Sojourner Truth by Ruth Inge Harrison

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Maudelle by Beulah Woodard (1937-1938)

The Talking Skull, 1939, Bronze

The Talking Skull by Meta Vaux Warrick Fuller (1939)

 

If I left out any Black women sculptors that you think should be added to the list, let me know in the comments below! I’d love for this to be a comprehensive list with lots of good links to information on how Black women have contributed to the world of sculpture.

 

 

art · Uncategorized

Buy Art and Support Public Schools

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I recently received an email from Reynolds Gallery in Richmond, VA, explaining a special campaign for the month of February. The gallery is donating 10% of sales proceeds generated in February to support Richmond Public Schools. The gallery announced, “We want to do our part to improve the lives and education of our city’s children.”

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Reynolds Gallery was founded in 1977 and emphasizes a connection with local artists. That, along with the promise of donating 10% of February’s sales to public education, is a convincing reason to check out their offerings and see if there is any work that you’d love to own.

The contemporary pieces featured in the gallery are great for every collector, from the novice to the expert. I like Robert Stuart’s “From White to Red” (2017) and Andras Bality’s “Monhegan Sunflowers” (2017).

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I also found Doug Gray’s “Guthrie Theater Lobby Oct 1977 Minneapolis” (2017) enchanting. It gives Piet Mondrian vibes, no?

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Check out the online shop and see if there’s anything you’d like to get for your own collection! Remember, a portion of the proceeds will go to supporting a better educational environment for Richmond Public School students.

art · luxury

Art Collector Conundrum: Insecurity

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In this series about issues surrounding inexperienced art enthusiasts, I want to explore another problematic aspect of art collecting. Namely, many new collectors and aspiring art professionals have a great deal of insecurity when entering into the world of art.

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The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist by Peter Paul Rubens

Like many other prestigious and exclusive arenas, new entrants find themselves overwhelmed and, ultimately, insecure about their knowledge, their ability to find their niche, and their own personal tastes and judgment. How many of us can relate to being the neophyte with a differing opinion that is promptly “put in place” by the resident expert? The more elite the group, the more devastating these interactions can be to the novice.

The point of this discussion isn’t to blast the experts that offer a different perspective to newcomers. Every subject needs experts that are willing to share their knowledge and guide their predecessors. This guidance can help new entrants avoid making costly mistakes on their journeys.

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A Forest at Dawn with a Deer Hunt

This also isn’t a criticism of the new entrants that will ultimately need to grow their confidence in their own tastes and knowledge in the art arena. There’s something to be said for discerning when to take the advice of someone else and when to stick with your stance, however unpopular. There are many experts that had to go against the grain at different points in order to establish themselves.

Ultimately, this is a consideration of what can be done to reduce insecurity when entering the art world. Knowledge, on its own, isn’t enough. The art world is the intersection of business and aesthetic tastes. The business portion can be taught and modeled for new entrants. To some degree, even the aesthetic part of art collecting can be “taught”, via exposure to many works in different media, from different periods of time and movements, and from various countries and global regions.

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Venus and Adonis

So what does reduce insecurity? In a word, experience. The novices have to embrace the experiences that they must have, and they have to be ready to have MANY experiences outside of their comfort zones. Experience will teach a novice who to listen to and who to disregard; it will also help a novice learn when to listen to “gut nudges” and when those “nudges” are more fear-based (and generally inaccurate) than intuitive knowledge (which is usually spot-on).

To all of the newcomers to the art world: gain all of the experience that you can, remember that you BELONG wherever you’re going, and take comfort in the fact that you don’t have to know everything to be skilled, competent and worthy of your space in the art world.

(all art from the Metropolitan Museum of Art, photos from Archive.org and )

art · culture

My Current Favorite App

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As a fan of all things art and culture related, I find it challenging to locate tools and apps that satisfy both of my interests simultaneously. That is, until the Google Art and Culture App came into my life.

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I love being able to instantly access all sorts of interesting art and culture articles. Even better, I love being able to virtual tour museums that I have not yet visited in person. The app allows you to view famous artworks up close, without having to peer through crowds to see it (anything in the Louvre comes to mind).

It’s possible to find art by searching by the title of the work or by an artist’s name. For an example of what you can find on the app, I searched for Edmonia Lewis (I’ve known about her for a long time, but a recent podcast by Art History Babes renewed my interest in her story). Here is some screenshots of what Google Art and Culture had about Edmonia Lewis:

Even cooler, the app has a feature that allows users to take a selfie and find their art “doppelganger”. It’s a fun feature that’s sure to expose users to artwork they’ve never seen before!

Have you downloaded the Google Art and Culture app? How have you been enjoying it? Let me know in the comments below!

 

 

art · luxury

Art Collector Conundrum: Affordability

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As part of this (informal) series, I want to explore some of the difficulties I see within the art world. These things aren’t obstacles, per se, but they can be challenging for people that are on the outside “looking in”. As I learn more and find myself exploring the business, historical, and aesthetic side of art, I can see the individual factors that make art collecting and the entire business of art frustrating and intimidating to the average person.

One of the biggest obstacles to pursuing either a career in or a collection of art is affordability. Prestigious disciplines and hobbies have always been cost prohibitive, and rightly so: this maintains the integrity, prestige and lucrative nature. But in these increasingly egalitarian times, the question remains: how can affordability be part of the art world while maintaining esteem?

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Le Jockey by Henri de Toulouse-Lautrec (uploaded by the Brooklyn Museum)

The best recommendation I can pose is this: start where you are. That applies no matter where you want to fit into within the art world. Instead of aiming to have a personal art collection on the level of the Louvre, new collectors that have less capital to invest should start where they are and purchase what they enjoy and can afford. People aspiring to be curators and consultants should start by educating themselves as affordably as possible: attend free or low-cost art courses (some of which can be done online), volunteer at a museum or gallery, or even purchase used art textbooks and read the material.

The key to avoiding overwhelm is to take it one step at a time.

There are some entities that are striving to make art more affordable. Educators like ALISON, Coursera and Saylor (especially the Saylor Legacy Courses) make art education affordable. Taking classes at local museums, galleries, art organizations, and community colleges is also another another way to obtain art knowledge at a low cost.

Entering the art collecting world need not be expensive. New collectors should seek out local artists that are talented but not yet famous. Being an “early adopter” often means securing wonderful artwork at an affordable price. Also, it’s important to support smaller artists that may one day become one of the big names in the art world.

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Tahitian Woman by Paul Gauguin (uploaded by the Brooklyn Museum)

There are also companies that will finance the purchase of high dollar art. One of these is ArtMoney, a company that offers financing options for people that want to buy art. ArtMoney is currently affiliated with 500 galleries nationwide to help art appreciators acquire works of art that would normally be out of their budgets. Also, there are innovative artists that offer lease and lease-to-own option for interested parties. This allows collectors to enjoy the art of their choice on the terms that best suit them.

So there are always ways to navigate around issues of affordability. Many times, this means setting aside preconceived limitations and approaching a solution with a fresh perspective. By exploring unorthodox and less popular strategies, it’s possible to make any part of the art world affordable.