You’ll recall last year that I wrote about how the National Gallery of Art offers writing and drawing salons seasonally (during the fall, winter and spring). I’m delighted to share that the salons are back! In fact, I’m a little late to the party: the first salons have already happened! Here is the schedule for the remaining salon events:
- Character: The Power of Detail (November 2018)
- Perspective: Inside Out (January/February 2019)
- Setting: Capturing Place (February 2019)
- Story: The Narrative Arc (March 2019)
- Poetry: Movement and Meaning (April/May 2019)
- Rachel Whiteread and Sculpting Memory (November/December 2018)
- El Greco’s Expressive Figures (January/February 2019)
- Illuminating American Landscapes (March 2019)
- The Portraits of Sir Anthony van Dyck (April/May 2019)
Kudos to the National Gallery of Art for expanding the schedule to accommodate more participants during this salon season. I recall the years when the events were held over three days only. However, this year (and last year, if I recall correctly), each theme has up to 8 different dates for attendees! More people can participate in these events with all of these dates available.
I plan to attend several salons this year. I didn’t make it to any last year, but I should have a lot more schedule flexibility over the next few months. If you decide to attend, I’ll see you there!
Happy Monday, beloveds! Can you believe it’s almost been a whole month since I went to Philadelphia? That trip, which was mainly for the purpose of attending my first Freeman’s auction, was a lot of fun, and a great “break” in the monotony of my day-to-day life.
While at the Philadelphia Museum of Art, I made sure to tour the European art wing, because I’d be experiencing a bit of a deficit. The museum nearest to me, Virginia Museum of Fine Arts, has an incredible European art collection featuring impressionist works by Claude Monet and Edgar Degas. However, the Monet and Degas works are on an international tour and won’t be returning to VMFA until 2020.
The Japanese Footbridge and the Water Lily Pond, Giverny (Monet, 1899)
So, as you can imagine, I was excited when I saw some Monet works in Philadelphia. I got to enjoy different versions of his Water Lilies series. I love both versions that I saw: the painting that has deeper tones feels more dynamic and calls to mind a scene from a lake during the autumn season. On the other hand, the painting with the lighter colors evokes warmer weather and the freshness of spring and summer.
Water Lilies, Japanese Footbridge (Monet, 1918-2916)
What I love most about Monet is the thing he is known for: impressionism is one of my favorite art movements. The gentle intermingling of colors (the result of applying wet paint to wet paint), the way that light is captured, and the softness of nature all speak to me in indescribable ways. Monet’s depictions of his environment make me want to experience Giverny (the commune where Monet spent more than 40 years) in person.
Ah, how I enjoyed these! I’m excited to check out more of Monet’s work at the National Gallery of Art this summer. The museum currently has 16 of his works on view, and I plan to check out each of them!
A couple of weeks ago, I had a free afternoon and I was feeling artsy (to be honest, I can’t think of a time when I’m NOT feeling artsy). So I took a stroll to National Gallery of Art (NGA) to check out the exhibits. It’s been nearly two years since my last visit, so I was overdue.
Tomorrow’s post will be “heavier”, as far as subject matter goes, so today, I’m taking it light and easy. Here are a few photos from my last visit to NGA. This post features a few of the sculptures that I saw at the museum. Enjoy!
Nymph and Satyr by Edward McCartan (1920)
This satyr is nothing but trouble! Look at how he’s looking at the nymph.
Play coy, little nymph! Maybe that naughty satyr will leave you alone.
Justice by Barthelemy Prieur (1610)
It’s hard to believe this lovely lady is over 400 years old! It was completed the year before Prieur’s death.
I had to do some research on this one: I’d never heard of “zephyr” before.
A Garden Allegory: The Dew and Zephyr Cultivating Flowers by Benoit Massou, Anselme Flamen and Nicolas Rebille (1683/1732)
This beautiful woman depict dew, the gentle moisture found on vegetation in the morning hours.
The charming little cherub next to Dew is Zephyr, the soft gentle breeze that can be felt on a pleasant spring day
On Tuesday, February 6th, the National Gallery of Art (NGA) is hosting acclaimed artist Carrie Mae Weems. This event is a lecture that will discuss Weems’s Kitchen Table Series, a set of photographs capturing (as NGA describes it), “[…] the story of a woman’s life as seen through the intimate space of the kitchen—the traditional sphere of women and a site of sanctuary, creation, shared experiences, and emotional honesty”.
(Photo of Weems, courtesy of the MacArthur Foundation)
Weems has won numerous awards during her career, including the prestigious MacArthur Fellowship. It’s going to be a treat to listen to her discuss her work during her lecture at NGA. You won’t want to miss this event!